Famous First Words

Paul Muldoon, 3 February 2000

... something but I cannot utter.’ Washington Irving’s first words were ‘When will this end?’ James Joyce’s first words were ‘Does nobody understand?’ Ned Kelly’s first words were ‘Such is life.’ Saint Lawrence’s first words were ‘This side is roasted enough.’ Montezuma’s first words were ‘I bear you no ill will.’ Scipio Nasica’s ...

Diary

Alan Bennett: Madness: The Movie, 9 February 1995

... The first draft of The Madness of King George (then called The Madness of George III) was prefaced with this note: The Windsor Castle in which much of the action takes place is the castle before it was reconstructed in the 1820s. The 18th century wasn’t all elegance and there should be a marked contrast between the state rooms, in which the King’s life was largely spent, and the back parts of the building, those tiny rooms and attics, cubicles almost, where, because the court was so crowded, most of the courtiers had to lodge ...

The Great Dissembler

James Wood: Thomas More’s Bad Character, 16 April 1998

The Life of Thomas More 
by Peter Ackroyd.
Chatto, 435 pp., £20, March 1998, 1 85619 711 5
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... a Catholic martyr because he died opposing Henry VIII’s divorce from Catherine of Aragon and the King’s robbery from the Pope of the leadership of the English Church. But he is also seen as a lawyer-layman caught in the mesh of presumptuous ecclesiology, an English Cicero of the pre-Reformation who nobly gave his head to forces beyond his control. Most ...

Faulting the Lemon

James Wood: Iris Murdoch, 1 January 1998

Existentialists and Mystics: Writings on Philosophy and Literature 
by Iris Murdoch.
Chatto, 546 pp., £20, July 1997, 0 7011 6629 0
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... self, of the expulsion of fantasy and convention, which attends for instance the reading of King Lear, is indeed exhilarating. It is also, if we perform it properly ... painful. It is stirring to read a novelist who believes so acutely in the destiny of fiction, and in its renovation in our time. But it is stirring only as personal faith. An aesthetics ...

Plays for Puritans

Anne Barton, 18 December 1980

Puritanism and Theatre 
by Margot Heinemann.
Cambridge, 300 pp., £12.50, March 1980, 0 521 22602 3
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John Webster: Citizen and Dramatist 
by M.C. Bradbrook.
Weidenfeld, 205 pp., £10, October 1980, 0 297 77813 7
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... wider sense. These were the people who flocked to the Globe on nine successive days to see the King’s Men perform Middleton’s savagely anti-Catholic play A Game at Chess, making it the greatest box-office success of the period, and infuriating King James. Middleton wrote A Game at Chess in 1624, in the wake of ...

Skating Charm

James Wolcott: Kenneth Tynan, 13 December 2001

The Diaries of Kenneth Tynan 
edited by John Lahr.
Bloomsbury, 439 pp., £25, October 2001, 0 7475 5418 8
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... names faded once their work slid out of print, once-prominent tastemakers such as Stark Young and James Gibbons Huneker. Tynan’s review collections have joined theirs in the second-hand stores, but he himself stays hot copy. Words aren’t enough to sustain a journalistic legend; neither are looks, photogenic as he was. ‘What makes a figure is the ...

Vendetta

Gerald Hammond: The story of David, 7 September 2000

The David Story: A Translation with Commentary of 1 and 2 Samuel 
by Robert Alter.
Norton, 410 pp., £19.95, October 1999, 0 393 04803 9
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... on power weakens as David, the true hero of the Old Testament, its poet and its once and future king, moves to the centre of the story. If Saul is the model for Macbeth, David is the model for Henry V. The contrast between the two is cruelly conveyed in the little taunt which the women, prime movers throughout the story, start to sing in 1 Samuel ...

Down among the Press Lords

Alan Rusbridger, 3 March 1983

The Life and Death of the Press Barons 
by Piers Brendon.
Secker, 288 pp., £12.50, December 1982, 0 436 06811 7
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... blandness’. Not while Rupert’s still around. And while Rupert’s still around (and Sir James, and Robert, and Tiny – and maybe even Victor: ‘I have the papers in which to give my views, but I think the House of Lords will be better’), reports of the ‘death of the press barons’ are somewhat exaggerated. The British certainly like to give ...

Our Trusty Friend the Watch

Simon Schaffer, 31 October 1996

Longitude: The True Story of a Lone Genius who Solved the Greatest Scientific Problem of his Time 
by Dava Sobel.
Fourth Estate, 184 pp., £12.99, August 1996, 1 85702 502 4
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... worships’, because ‘he assured us he seldom did anything without consulting it.’ The giant King of Brobdingnag had a different perspective: Gulliver must ‘be a piece of Clockwork (which is in that country arrived to a very great perfection)’. Any acute 18th-century reader of Swift would easily make sense of these timely jokes. Britain was then ...

Bard of Friendly Fire

Robert Crawford: The Radical Burns, 25 July 2002

Robert Burns: Poems 
edited by Don Paterson.
Faber, 96 pp., £4.99, February 2001, 0 571 20740 5
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The Canongate Burns: The Complete Poems and Songs of Robert Burns 
edited by Andrew Noble and Patrick Scott Hogg.
Canongate, 1017 pp., £40, November 2001, 0 86241 994 8
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... a ‘baird’ was a limited sub-poet, not a ‘makar’. A century later in his how-to-be-a-king book, the Basilikon Doron, the versifying James VI of Scotland claimed that he had ‘not spared to play the bairde against all the estaitis of my kingdome’. When James boarded the ...

Tush Ye Shall Not Die

John Bossy, 23 February 1995

William Tyndale: A Biography 
by David Daniell.
Yale, 429 pp., £19.95, September 1994, 0 300 06132 3
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The Renaissance Bible: Scholarship, Sacrifice and Subjectivity 
by Debora Kuller Shuger.
California, 297 pp., £32, December 1994, 0 520 08480 2
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... that Tyndale is more ‘modern’ than the Authorised Version. I wasn’t brought up on the King James Bible, but Daniell seems very good on it: ‘Appeal to Latin, so characteristic of the Authorised version, tends to flatten differences, and make a special kind of language for everything, something a little antiquated, a little removed, and ...

Hew their bones in sunder

Eamon Duffy: Lancelot Andrewes, 3 August 2006

Lancelot Andrewes: Selected Sermons and Lectures 
edited by Peter McCullough.
Oxford, 491 pp., £90, November 2005, 0 19 818774 2
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... from Andrewes’s sermon on the role of the Magi in the Nativity story, preached at the court of James I at Christmas 1622, was to be incorporated virtually word for word into the opening lines of the 1927 poem ‘The Journey of the Magi’: ‘A cold coming they had of it, at this time of the yeare; just the worst time of the yeare . . . the waies ...

‘Where’s yer Wullie Shakespeare noo?’

Michael Dobson: 17th-century literary culture, 11 September 2008

Archipelagic English: Literature, History, and Politics 1603-1707 
by John Kerrigan.
Oxford, 599 pp., March 2008, 978 0 19 818384 6
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... had actually been started by the Scots and had been finally resolved, years later, in Ireland when James II, the last Stuart king, was defeated at the Battle of the Boyne in 1689, it was downright alarming to go home and see TV footage of riots at Orange parades that showed this supposedly definitive and long-past battle was ...

Conrad Russell’s Civil War

Blair Worden, 29 August 1991

The Causes of the English Civil War 
by Conrad Russell.
Oxford, 236 pp., £35, November 1990, 0 19 822142 8
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The Fall of the British Monarchies 1637-1642 
by Conrad Russell.
Oxford, 580 pp., £40, April 1991, 9780198227540
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... So we have to ask why the Bishops’ Wars broke out in 1639; why the Scots won them; why the King and his English critics failed to reach a pre-war settlement; why the King failed to dissolve or prorogue the Long Parliament; why Englishmen took sides in 1642; why negotiation failed in the same year; why the majesty of ...

At the Royal Academy

James Davidson: ‘Bronze’, 11 October 2012

... in 2004 in Bulgaria, metres away from a royal tomb, it is a portrait head probably of Seuthes III, king of Thrace, commissioned from an Athenian artist around 300 BCE. It is extremely particular, neither standardised nor idealised, a small expanse of smooth face, a hooked nose, surrounded by separately created locks of hair and ungroomed beard, and centred on ...