“... Once​ upon a time – and certainly before the Roman conquest – Britain was ruled by good King Lud. According to the utterly unreliable History of the Kings of Britain by the 12th-century Welsh cleric Geoffrey of Monmouth, Lud rebuilt the walls of London, ‘encircling it with countless towers. He also commanded the citizens to construct houses … so that no city in all the surrounding kingdoms (some far distant) could boast finer residences ...”

“... documents rendered them responsible to the courts for any breaches of the law. For although the king could do no wrong, he was not above the law. It was for the courts to say what the law was, and for Parliament to alter it, in so far as it could be altered, for at this time there was a general belief in fundamental law, unalterable by any human ...”

“... off poems of congratulation to his former pupil. Within three years he was back at court, as king’s orator. In addition to his official duties, he produced further poems of praise, lament and vituperation, the latter often in the form of ‘flytings’, the object of which was to be as insulting to an enemy or rival as the wit could manage. They ...”

“... with other versions of that photograph and with black and white line drawings – acorns, a pearly king and queen, a pub table, a crown – that are a convincing imitation of the style of Edward Bawden’s linocuts. His other contribution, a more than life-size bronze skull, Head of a Fallen Giant, at first glance an exotic nail-studded fetish, turns out to be ...”

“... current Brechtology has a subject, it is Brecht’s relationship to that process. Elizabeth Wright’s Post-Modern Brecht (1989) sought simply to claim him as an embryonic Post-Modernist, on the superficially bizarre basis that the Marxist-Leninist playwright was ‘sceptical of what Lyotard called the great narrative, the great danger, the ...”

“... who had planned a life of Robert Cecil, the chief minister inherited by James I from Queen Elizabeth, abandoned it in the 1960s in the belief that the genre had had its day. Geoffrey Elton, so much of whose career has been occupied with the achievements of Thomas Cromwell, has never thought biography to be the fitting means of approaching ...”

“... poets of the Fifties, which marks him as originally associated with, among others, Thom Gunn, Elizabeth Jennings and Philip Larkin. No less than they, he has gone his own way and no purpose is served by hanging this historical label round his neck now. Even in its time it contributed more to publicity than to enlightenment. Robert Conquest, as editor of ...”

“... political, constitutional, social and economic. Yet it is difficult to get away from the king-centred approach, because the one point around which every historian of the 15th century can unite is that Henry VI was an extraordinarily bad king. Not ‘bad’ in the sense of cruel or tyrannical, just hopeless. There ...”

“... for only a few months of lectures at UCL. (One part of the dazzlement of his flight to Italy with Elizabeth Barrett two decades later was that he was at last leaving home.) In his twenties he wrote Pauline, Paracelsus and Sordello: all long, and all clad in the vesture of prestigious genres handed down from the Romantics; the poems are, respectively, a ...”

“... a profession of Protestant faith in Shakespeare’s own hand, even a letter to the bard from Queen Elizabeth herself flowed from his ready quill. And once Ireland had sorted out a supply of ink and techniques for making paper look old, why not write versions of King Lear and Hamlet which omitted the awkward bawdy scenes? Why ...”

“... escape from a home where he was stripped of authority and placed under constant surveillance. As Elizabeth Foyster remarks in her assiduously researched, crisply written biography, ‘nobody was interested in the grievances of a low-born French speaker when they stood opposed to the words of an honourable English nobleman and his family.’ Not long after ...”

“... view which is much more congenial to him. James I in particular is not a favourite of his. Unlike Elizabeth, James relished Lord Henry Howard’s ‘unctuous brand of flattery’. He also had a penchant for beautiful young men. Ashton makes no moral judgment about their gender, but he is very critical of the fact that, unlike ...”

“... including Colette, Edith Head, Deborah Kerr, Leslie Caron, Ava Gardner, Grace Kelly, Judy Garland, Elizabeth Taylor, Marni Nixon, Julie Andrews, Mia Farrow, Jeanne Moreau, Merle Oberon, Capucine and Cher. I could advance a lesbian interpretation of Audrey Hepburn’s oeuvre, though that is not my present aim: instead, I wish to inquire into reverberations ...”

“... monarch, out of the rough and ready business of governing its Indian possessions. To introduce the king or queen risked elevating the Indian rajas to an inconvenient status, licensing them to consider themselves as lieges or allies of the crown, with the right to approach the monarch directly on all sorts of embarrassing questions. The rapacious Wellesley and ...”

“... apparent that such projects were attempted before Charles’s reign, by a client of Burghley under Elizabeth and by the Earl of Exeter under James. They were advocated by such ‘apolitical’ writers as Camden. During the 1630s the promoters of the works included the King and courtiers, but also a local entrepreneur, Sir ...”