“... age. This doesn’t occur to Sharpe. His idea of the historian as someone who gets at the facts means that he can give a fine account of the activities of Turpin and the Essex gang, but it makes him quite unfitted to be a reader of Rookwood. His argument is that the real Turpin was (despite ‘Turpin Hero’) rather insignificant; the heroic Turpin is the ...”

“... David Lockwood is the sociologist’s sociologist in the same way that Ken Rosewall used to be the tennis player’s tennis player: he’s the one the other pros turn out to watch. But you need to know the fixture list. To switch to an older metaphor, he is apt not only to hide his light under a bushel but to hide the bushel as well ...”

“... will be quoting from her best Brexit speeches fifty years from now, except to mock them (‘Brexit means … we never did find out’). But Churchill wasn’t just a speech-maker. He also made plenty of fateful decisions throughout his long career and it is worth remembering that although May has not reached his heights, nor has she plumbed his depths. As the ...”

“... and in several other towns the elders and those who were taking to themselves to be following the means of grace were keeping a meeting once a fortnight – a prayer meeting amongst themselves – and there were plenty gathering, so that the houses would be full. These families were evicted, their roof timbers set on fire so that the houses could not easily ...”

“... the BBC when Alan Yentob insisted that an aristocratic ex-Battle of Britain pilot be played by David Jason; ITV loved it, but made similar demands. Eventually, back at the BBC, the play got its perfect casting – Albert Finney, Tom Courtenay and Joanna Lumley – and was ‘bought’ in 1998 by the then BBC2 controller Mark Thompson for broadcast at ...”

“... a fungoid growth or eruption used as an image for the progress of love. A civil servant called David, his grey hair dyed, has come to visit his ex-wife, Stella: he brings with him his new partner, Catherine, but he is already sick of her and obsessed with a third woman, the pleasingly trollopy Dina. David accompanies ...”

“... In the preface to his new edition of montaged interviews with Francis Bacon, David Sylvester draws our attention to what has become the last section of the fifth interview. Altogether, there are seven interviews but Sylvester considers the end of the fifth to be the most illuminating passage in the book: ‘I always think of myself not so much as a painter but as a medium for accident and chance … I think perhaps I am unique in that way; and perhaps it’s a vanity to say such a thing ...”

“... of fascinating studies, ranging from Babylon to 20th-century Ghana, from China to Madagascar. David Cannadine, in his Introduction, says that the topics covered are mainly pre-modern and therefore outside the scope of most professional historians. In their Acknowledgments, however, the two editors refer to the ‘rites of passage’ of contemporary heads ...”

“... in three periods of 14 generations apiece (not even Vermes knows why). He begins with Abraham and David and departs from ancient practice in naming five women in his list. One of these is Mary, the mother of Jesus. The others are all non-Jews, and three of them are associated with marital irregularities: Tamar seduced her father-in-law, Rahab was a ...”

“... those who support Save Britain’s Heritage know only too well. We live in a retrospective age and David Lowenthal’s discursive study is a product of it. One of the attractions of this book is that it enables the Melton Constables of the world to be seen in the context of the future as well as the past. David Lowenthal is ...”

“... unambiguous benchmark against which other less clear-cut positions can be measured, an unequivocal means of sorting out the interventionists from the free-marketeers. It is nothing of the sort. Nothing about arts funding is unambiguous or clear-cut. It is of course true that the market will always have its unequivocal champions, like Tyler Cowen, who argues ...”

“... with many literary historians the belief that there is progress in the arts, and that progress means specifically advances in technique. Picasso, Proust and Eliot from this point of view ‘do not work any more (or are positively harmful)’. In any but the conventional terms of progressive storytelling, one would be hard-pressed to say just what sort of ...”

“... a fact the prosperous neoliberal consensus lightly brushed off. Non-fanatical Americans of modest means have wondered how their children will pay for the emergency measures we are buying now but refusing to tax ourselves for. Early suspicion of the bank bail-outs found a ready target of displaced resentment in the later demand for health insurance ...”

“... have been a death-blow to the Obama presidency; its passage has given him time to discover the means for a renewal of presidential energy. Yet the bill passed without a single Republican vote, and its revisions, augmentations and delays, many of them prompted by Obama in a vain search for bipartisan support, made the process a textbook example of ...”

“... word is ‘monist’) EU has encouraged western Ukrainians to raise the bar for what it means to be Ukrainian, effectively excluding the Russian-speakers of the east, on the vexed and divisive issues of language, culture and – most of all – the collision between the present and the past. On the language question, it’s true that in Ukraine an ...”