“... Tony, on hearing which Cherie said that’s a lie, but being overheard herself had to deny she’d said any such thing, though the next day Tony more or less admitted that her denial wasn’t to be trusted either, before going on to pretend that he still admired Gordon too, and then pledging himself to the cause of peace in the Middle East – it was no ...”

“... the book’s ghostwriter to be anybody who already knew a lot about him. I told Jamie that I’d seen Assange at the Frontline Club the year before, when the first WikiLeaks stories emerged, and that he was really interesting but odd, maybe even a bit autistic. Jamie agreed, but said it was an amazing story. ‘He wants a kind of manifesto, a book that ...”

“... grail of the AI community – turns out to be a distraction. Machines that are capable of learning do not have to be capable of thinking the way we do. What they require are vast amounts of data, which they can filter at incredible speed searching for patterns on the basis of which they make inferences, and then for further ...”

“... The major contribution of the English theatre to last year’s Brecht centenary was Lee Hall’s dazzling version of Mr Puntila and His Man Matti, presented by the Right Size, a touring company led by the comic actors Sean Foley and Hamish McColl. Their prologue goes some way to explaining why the Anglophone response to the Brechtfest was so muted ...”

“... humane, cosmopolitan and inspiring, and behind it lay the struggle of a very rich man to do good. In his role as owner-editor, David Astor had more freedom than any other journalist in London, but power made him bashful and uneasy. When, towards the end of Astor’s editing career, the South African journalist ...”

“... not enough to confirm the greatness of greatness; we want to know our business with the dead. David Marr unfolds it, steadily, over seven hundred pages. The first vindication of his huge and wonderful book is that it offers ways into all of White’s work, uncovering materials which were taken up and transformed in the making of the novels, the stories ...”

“... It is hard to believe that we do not live in ‘new times’. For a generation raised after 1945 on what purported to be Keynesian certainties, and in an international system dominated all too obviously by the two major victors, the transformations of the last twenty years are difficult to assimilate. The speed of these transformations has now accelerated crazily: anything one writes about Eastern Europe, for example, is likely to be half-an-hour and, therefore, hopelessly out of date ...”

“... the War against the Hizbullah’. I decided to stick to my job and went straight to the conference hall, leaving the tempting croissants behind. I found myself a good seat, close to the stage but not too close, and felt ready to hear how threatening Ahmadinejad’s shadow was. More and more people crowded in and eventually filled every corner of the ...”

“... conspirators Bob Haldeman and John Ehrlichman were his arch-enemies on the paper). By then, he’d already been part of the Allied occupation of Germany pulling bodies out of the rubble, gone AWOL to attend the Nuremberg Trials (with the intention of assassinating Hermann Göring) and worked as a gun-toting union organiser for Detroit car workers. In other ...”

“... the dame or seigneur has held Sark as a Crown fief since Elizabeth I granted the island to Helier de Carteret in 1565, on condition that he defend it against her enemies. He divided the land into forty tenements, each with property rights in perpetuity and reciprocal duties of defence and tithe. (Until 2021, tenements could not be split up, but tenants are ...”

“... a wound. The poem is more openly dismissive of his one-time employer:           I’d always thought him an ass which he pronounced arse. ‘Class’ is, with the exception of one sentence, written in the first person. Referring to Lubbock’s title, with its tricky second word, Tomlinson neatly introduces the sense of ‘class’ meaning ...”

“... Say ‘David Storey’ and readers of my (and his) generation will recall the final shot of This Sporting Life: Frank Machin (Richard Harris), mired, spavined, raising himself on the rugby field to lurch back into hopeless battle. His life as a professional is over. Football chews up its workforce faster even than the pits ...”

“... commonplace had found a champion who could wear its colours with all the ceremony of greatness.’ David Skal’s new biography of Stoker follows his 2004 study, Hollywood Gothic, which managed to take Dracula on page, stage and screen seriously, but not too seriously. It becomes clear reading the Cambridge Companion to ‘Dracula’ how difficult it is to ...”

“... A drunken American historian once lurched over to David Caute at a party and told him: ‘Having read your last novel, or part of it, I’d advise you to give up writing fiction – if you weren’t such a lousy historian.’ Caute, a connoisseur of masochism, tells the story against himself (in Contemporary Novelists, 1976 ...”

“... to baffle the predictors, though a massed formation of bombers was most unlikely to do so. For most of the war, we who served behind barbed wire in public parks and on lonely headlands, surrounded by jolly ATS girls, were well aware that the public thought very little of our marksmanship. Since every shoot depended on dozens of people doing the ...”