“... Smollett can often have been rated an enemy in the new age. ‘I want Smollet’s works,’ wrote Robert Burns, ‘for the sake of his incomparable humor.’1 And he may also have wanted them for their romantic intervals. Smollett was, in fact, to imitate the inimitable Cervantes for the rest of his life. He translated him, then re-translated him in a ...”

“... a family of five, where kids in High Kindergarten are given LSD and peyote by their parents, where young hustlers get lethally carried away while rolling elderly film-stars, where six-foot-two drag queens shop for fishnet bikinis, where a 26-year-old woman can consign her five-year-old daughter to the centre divider of Interstate 5: when her fingers were ...”

“... have you forgotten your religion completely? [&c] What happened in the war? Melchior was too young to serve. His father was too old. When war broke out Melchior’s father shaved off his Franz Joseph moustache; that winter he began to grow sideburns. Later he grew a full beard, and was caught by his wife standing in front of a mirror with a portrait of ...”

“... to a chic bar in order to catch a glimpse of the patron, the legendary Georges Carpentier. I saw young boys, in Saint Malo, flinging themselves into Boyhood of Raleigh postures as they saw the four masts of the late Alain Colas’s yacht appear on the distant horizon, and I heard it pass from lip to lip that Colas was back again. When his rival, Eric ...”

“... Land art, Performance art, Living sculpture, Body art and Community art. Kramer is unimpressed by Robert Smithson’s ‘ambition ... to break with the conventions of studio production and museum exhibitions in order to create an art that would stand in a more intimate and vital relationship to the world of nature and to the man-made social ...”

“... Ada Kennard, a dancer in a three-women act that toured the music halls. His father was a Bob: Robert Moffat Livingstone, at different times a seafarer, a window cleaner and a stagehand. According to their son, the couple hadn’t wanted children. Then one night in September 1944, Bob ran out of condoms. The memoirist writes of his conception, ‘With ...”

“... was one of the 19th century’s most important scientific guinea pigs. In 1822, the illiterate young French-Canadian was working as a ‘voyageur’ for John Jacob Astor’s fur-trading company in northern Michigan. He was hanging out with a bunch of rowdies in the company store when a shotgun accidentally went off and he was hit below his left nipple. The ...”

“... else, ruder or different, more energetic and more adaptable. The chances are that even the young audiences of the 1960s Batman TV series knew that there was something Robin was not saying every time he uttered a variant of his catchphrase. (I was there. It felt naughty.) A formula for generating euphemisms can be as creative as a formula for generating ...”

“... first nights, she seldom fails to tell the producer or director how much she loathed the show. To Robert Evans, producer of Love Story, at the Royal Command Performance of the film: ‘Tony saw Love Story in New York. Hated it.’ When Dennis Main Wilson says, ‘Ma’am, I have the honour to produce a little show called Till Death Us Do Part,’ she cuts ...”

“... bank of benches at one side of the space, it turned out that these figures were not as dead as the young male corpse in black, set apart from the others, might have feared or hoped. Selectively revived in turns by a sort of black mass (performed by a coven of witches evidently visiting from Dunsinane), the cast of Hamlet were compelled once more to enact the ...”

“... annexe at Christchurch Priory in Dorset nonetheless represents Marston as a bearded and beruffed young man sitting with a balder companion in front of two tankards of ale. Sadly, today’s visual shorthand for ‘morally intense Jacobean playwright who took holy orders’, even in the church where he prayed for a quarter of a century, is just ‘bloke in pub ...”

“... Galip, are esoteric commentaries on Jalal al-Din Rumi’s Mathnawi – a 13th-century work which Robert Irwin has described as ‘a great sprawling series of stories within stories’ in which ‘the inner stories . . . indicate the mystical meanings of the outer stories’ – the reader’s head starts to throb. It’s also true that Borges-style novels ...”

“... and set the second half of his dialogues On the Ends of Good and Evil in the family library of his young friend Lucullus, which he hoped would equip the boy for public life. Medieval monks were fervent bibliophiles. In their cupboards, worn, faded manuscripts of the Latin classics and the Church Fathers flanked brand new Bibles and commentaries, beautifully ...”

“... the reader’s sympathy into places it might not otherwise be led, as in this passage where a young West Indian describes the trials of early marriage and parenthood: we walkin out good till de firss baby come: bonnet pram bootie wettin de bed: evry body stannin rounn cooin like woo-dove: look how e favour e faddah they sayin: look e lil booee eye an e ...”

“... short-suffering Mosley with his other help-meet Diana Guinness née Mitford. Mosley’s biographer Robert Skidelsky avers that ‘Mosley always tried to maintain the old English distinction between private life and public life.’ But Mosley came up against that other, even more powerful, old English tradition or law which has recently snuffed out ...”