“... express speed to provide for his widow, and can’t stop. He is not quite the equal of my friend John Creasey, who once told me he tried to keep himself down to writing a dozen crime stories a year but found he wrote 14. The Burgess production rate worked out at five and a half novels in the pseudo-terminal year. And eight years later it was his wife who ...”

“... and of the translation finally completed by 72 translators in 72 days; we read, at the end, of John Philoponus and his nearly successful attempts to win over the Arab conquerors in order to reprieve the library; and there is much, much more. In all this Canfora is not just telling a story: in the second part of the book he offers a series of detailed ...”

“... To many of these words it is necessary to respond. With deliberate gravity, so as to impress John, with whom I share an office, and who almost wrecked the whole teletext system by using his shaver from the adjoining socket, I move the teletext out of ‘answerback’ and into ‘send’. John and I debate on how to ...”

“... Ireland Renaissance’ is ‘largely a journalistic entity’. Seamus Heaney, Derek Mahon, John Montague, Paul Muldoon, Seamus Deane, Michael Longley and their colleagues are from the North, and they are poets: but they are individual poets, not a school. They are not even two rival schools, though some of them have started fabricating a ...”

“... It is a pleasure to write about a book that is so well-written. John Tyler Bonner is a biologist who not only knows a great deal about plants and animals but has thought long and carefully about problems of evolution. He has a cool and judicious attitude that allows him to settle contentious questions without fuss ...”

“... This is John Updike’s first collection of stories for seven years. There must have been problems, he says, to account for such a long delay. His preface glances ruefully at some of them – social and political disquiets between 1971 and 1978; but, in fact, the stories hardly move into the public domain. One of them is actually called ‘Problems’, and is cast in the form of exam questions ...”

“... John Robert Seeley was Regius Professor of Modern History at Cambridge between Kingsley and Acton. One of the few eminent Victorians who inspired no memorial biography, he was best remembered as the author of The Expansion of England (1883), a sweeping historical manifesto in favour of the unification of the British Empire ...”

“... Why has it taken a century to bring this about? In giving notice of her death her husband, John Walter Cross, who had married her in St George’s, Hanover Square, scarcely eight months before, alluded to her wish to be buried here. Of her many famous friends, Tennyson, Browning and Trollope would certainly have written to Dean Stanley urging it, and ...”

“... conception of the modern church leader – until real life played an unfair trick and produced Dr John Spong, the ultra-trendy Bishop of Newark, USA, thereby making satire almost impossible. Only John Betjeman and Barbara Pym stood gallantly with their fingers in the dyke upholding a vision of the dear old ecclesia ...”

“... It seems safe to infer from his now majestically large oeuvre that John Updike’s ultimate ambition is to get the whole of America, its geography as well as its history, the fluctuations of its spiritual as well as of its material wellbeing, into his books. The contribution of the four Rabbit volumes to the realisation of this plan (one volume per decade since 1960) is easily recognised, but many other novels, though less clearly devoted to the annotation of historical change, have a similar purpose ...”

“... ideas. The most startling object in the exhibition, the frame composed of gilded twigs surrounding John Austen Fitzgerald’s spooky painting of a fairy-infested bird’s nest, is a three-dimensional development of the sort of border design common in illustrated books of the period. The most beautiful paintings in the exhibition, those by the little-known ...”

“... Acropolis is the first thing you see in The Romance of Ruins, the current exhibition at the John Soane Museum (until 5 September). The unfinished watercolour is dominated by the eastern portico of the Parthenon, the ancient temple dedicated to the city’s patron goddess, Athena the Virgin. But the picture also shows a small and elegant mosque inside ...”

“... action, as cringing as it is brave. In Henry IV, it is the women who speak the truth: ‘No, Sir John,’ Mistress Quickly says to Falstaff when he insists he knows she has been hostess to petty crime. ‘You do not know me, Sir John; I know you, Sir John.’ As with Lady Percy, it is ...”

“... it made womanhood a lightning rod for attitudes to capitalist modernity. What Adam Smith’s pupil John Millar decried as the ‘habits of avarice’ of ‘polished nations’ generated much moral disquiet in 18th-century Britain. People fretted about ostentation and epicureanism, about the emasculation of manners and morals by ‘unmanly ...”

“... of the material is drawn from the canonical gospels of Matthew and Luke, with Mark behind them and John ignoring them. They offer accounts of the infancy of Jesus that are often quite wildly at odds with one another, but anyone wanting to retell the tale can pick and choose, ignoring conflicts of testimony and adding more if desired. It does not bother many ...”