“... also inspired two of the true jewels and masterworks of science fiction’s ‘Golden Age’ – Robert A. Heinlein’s stories ‘By His Bootstraps’ (1941) and ‘All You Zombies’ (1959) – may be less well known. In these stories the protagonist, travelling into the past (and having to do so repeatedly in order to try to correct the damage wreaked by ...”

“... must have written it. ‘The autistic mind, it was supposed at that time, was incapable of self-understanding and understanding others and therefore of authentic introspection and retrospection,’ Sacks wrote. ‘How could an autistic person write an autobiography? It seemed a contradiction in terms.’ As late as 2001, the epidemiologist Walter ...”

“... of a dissolute father and an unstable mother, he was born with a club foot, which always made him self-conscious,’ he says of Byron; and of Dickinson, no less winningly: ‘She was reclusive, tended to wear white clothing, which was thought odd, and scarcely left her bedroom in her later years.’ Such things strike a whimsical note, but usually Carey’s ...”

“... of the 19th century and as far from a good Samaritan as anyone could imagine. Restell was a self-publicist on an epic scale who was said to possess an ‘inordinate greed for money’. She marketed herself as an exotic Frenchwoman with decades of training in women’s medicine when she was really a seamstress from a small town in the Cotswolds who never ...”

“... That could only be done when men reformed themselves to do their duty to God, to neighbour and to self. More’s arguments, heavily salted with abuse after the manner of the time, are couched in Latin, so as to contain the dispute among those who could read that language: ‘Quid respondet frater, pater, potator?’ What answer from this crapulous father ...”

“... inner world of another person.) Mark Ford is alive to the idiosyncratic nature of Roussel’s ‘self-evident uniqueness’ and ‘unassailable self-referentiality’, just as he is aware of the dangers of seeking to contextualise or even to ‘understand’ Roussel’s work, rendering it less freakish or more explicable ...”

“... largely, if not exclusively, in traditional metre and rhyme schemes, analysands all, and with self-inflating personae that always reminded me of those giant balloons of Mickey Mouse and Pluto associated with Macy’s Thanksgiving Day parade. They published and reviewed one another in journals like the Nation, Partisan Review, the Kenyon Review and Sewanee ...”

“... first ones to have sex’ – to which his ex-wife Ann Birstein responded: ‘Talk about self-made men’), and it was through his reviews that he was able to respond to the shifts in the fates of that generation. When the Menshevik New Leader began to support the McCarthyist crusade in the early 1950s, Kazin announced that he would no longer ...”

“... freedom to invent. This isn’t done because of a shortage of real-world material, let alone from self-importance – it’s an investigation into the instability of genre and the shifting nature of literary truth. That’s the excuse, anyway. For a while in the 1980s it looked as if Philip Roth would never recover from this syndrome, this affliction of the ...”

“... capitalism would eventually, peacefully, deliver the fruits of modernisation – a non-violent, self-reinforcing alternative to expropriation and collectivisation. It wasn’t clear, however, how traditional societies would respond to the inevitable disruption associated with integration into the global economy. ‘How,’ Rostow asked, ‘should the ...”

“... level the story he has to tell is unusually interesting, beginning with that intellectually self-improving father. His parents were assimilated German-speaking Jews, Habsburg subjects before 1919, and thereafter citizens of the new state of Czechoslovakia (where it seemed wise to speak Czech, at least in public). Prague in the interwar years was ...”

“... puts it, ‘21st-century everything’. Everything on the point of collapse.Weather is made up of self-contained paragraphs like the following, which is not just characteristic but paradigmatic of the book’s concerns: ‘Eli [Lizzie’s young son] is at the kitchen table, trying all his markers one by one to see which still work. Ben [her husband] brings ...”

“... their views, especially when it might be read as a declaration of faith. I always cringe at the self-importance of the genre: though open letters can sometimes exert influence, stiffly worded exhortations hardly suffice to stop states, militaries, bombs. And yet, a ‘no open letters’ policy can serve as a convenient excuse when one is hesitant to stand ...”

“... Chief among these is ‘sprawl’, defined as ease, cheerful excess, unbuttonedness and unsnobbish self-confidence: ‘Sprawl is really classless ... Sprawl is loose-limbed in its mind.’ Murray’s verse really does sprawl, and there’s a lot of it: some is blustery, sloppy or hard to listen to. His work flaunts its roughness, its male friendliness, its ...”

“... the relationship. In Keep the Aspidistra Flying, George Orwell gave his friendless, dowdy and self-pitying protagonist, Comstock, one true pal: the editor and patron Ravelston, proprietor of the small yet reliable magazine Antichrist. This Ravelston – some composite of Sir Richard Rees and John Middleton Murry – was a hedonistic yet guilt-ridden ...”