“... and thought about suicide sometimes, but suicide was so corny in the eleventh grade and you had to be careful about this because two of her classmates had committed suicide the year before and between them they left 24 suicide notes and had become just a joke. They had left the notes everywhere and they were full of misspellings and pretensions. Helen’s ...”

“... back, another draws back a curtain to peer out at the street. The kind of sight the students might be distracted by is suggested in the line-up of plaster male heads and figures on a high shelf. The buttocks and thighs of a muscular plaster torso, its front primly turned to face the wall, loom over the women below....”

“... English wife, Lesley Harrison. Georgios (‘Yorg’ to the family but mispronounced as ‘Yog’ by Andrew Ridgeley, whose version stuck) was the youngest of three children, and the only boy. He was six months old when Lesley’s brother Colin overdosed on schizophrenia medication while on temporary release from psychiatric care. Lesley’s father had ...”

“... of Joshua Reynolds: again, if one does not immediately connect Wind with Reynolds, it should be pointed out that in the relevant entry in the New Cambridge Bibliography of English Literature, Wind supplies more items than any other secondary authority. Some of these items are fairly slight, but even a short note on Blake and Reynolds, dating from ...”

“... and it is his apparent formlessness which guarantees him this place. Quite often he is rejected by students on first acquaintance, partly through a priggishness which will allow only the young to talk dirty. But he comes into his own in the graduate school and the Zapp-it-to-me international seminars, where priggishness takes more unnatural and exclusive ...”

“... and dog arranged in a pastoral trio in the Fifties. Towards an Australian Bloomsbury? There has to be more going on. It’s not enough to confirm the greatness of greatness; we want to know our business with the dead. David Marr unfolds it, steadily, over seven hundred pages. The first vindication of his huge and wonderful ...”

“... are of interest, but what is the point of unrolling them alphabetically as something purporting to be a dictionary? Abbott opens, and Zangwill closes, yet the book is not a work of reference. It is an anthology. A lazy piece of work, or of relaxation, and not just because its compiler has declined the effort of an imaginative ordering and has instead fallen ...”

“... soon devise a plausible electoral campaign. Given the events of the last four years, this will not be easy: on any objective reckoning, almost no government this century will present the electorate with such a record of wilful failure. But, of course, objective reckonings matter little in the outcome of British general elections, and ‘failure’ has several ...”

“... next to Candy author Terry Southern. Willie Morris, of the Texas Observer and Harper’s Magazine by way of a place called Yazoo and a university named Oxford, is now listening. ‘Mr Bill,’ Southern whispers into Faulkner’s ear, ‘why are you and I already drinking brandy and everyone else is still drinking wine?’ ‘Terry,’ the self-described Delta ...”

“... and Spike Milligan to form The Goons: slightly wearing to listen to now (I suppose you had to be there at the time) but routinely credited with having ‘revolutionised British post-war comedy’ – unless that was Monty Python or Beyond the Fringe. He moved slowly but surely into film comedy, was outstandingly good in such low-key successes as The Naked ...”

“... In the élite minority arts of the 20th century, the US component is one of many, and by no means the most important. On the other hand, it penetrates, indeed dominates, the popular culture of the globe with the single exception of sport, which still echoes the British hegemony over the 19th-century era of bourgeoisie and the first Industrial Revolution, via tennis, golf and, above all, association football ...”

“... claiming any political alignment, Bloom erupts with comparable regularity and force. He prefers to be a one-man cultural opposition, waving only the banner of aesthetics; he says there are no Bloomians, but everybody knows him and all wonder, usually with exasperated affection, what he will do next. He is exceptionally and systematically well-read, and ...”

“... The American Revolution is not what it used to be. In the 19th century, it was a revered and present memory. Until the Second World War, it was still a proud and familiar subject, taught piously in every American school. Gradually, the distance in time and the change of population have eroded it in the national ethos ...”

“... By 1815 London was the biggest city anyone had ever seen. It was the most stable and prosperous Western metropolis and had been enriched further by a flood of Continental refugees and by works of art similarly cast loose on a tide of war and revolution ...”

“... in 1925, more volumes to follow) also suggest that there is still a good deal of reading to be done about Bloomsbury. Both these two books show the fate of newcomers, arrivals in Bloomsbury from the outside. ‘Most people were at that time ordinary,’ said Frank Swinnerton, looking back with nostalgia to the beginning of the century, and Dora ...”