“... In ‘A Wave’, the title-poem of his new collection, John Ashbery says, among many other things: One idea is enough to organise a life and project it Into unusual but viable forms, but many ideas merely Lead one thither into a morass of their own good intentions. The reference to ‘one idea’ recalls the passage in ‘Esthétique du Mal’ where Wallace Stevens dismisses                                      the lunatic of one idea         In a world of ideas, who would have all the people Live, work, suffer and die in that idea In a world of ideas ...”

“... but diverse answers to the diverse problems that have composed the muddle. The American journalist John Simon has for some years been writing a column in Esquire in which he takes a conservative view of linguistic change in true dinner-party fashion: opposing almost every innovation in contemporary usage, and mixing up several independent considerations in the ...”

“... undignified and unnatural circus tricks. At the end of this formidable survey of the aristocracy John Beckett notes that they have survived into the late 20th century ‘as protectors of the nation’s heritage’ and that some ‘even argue that as collectors of beautiful objects over time their families were thinking not merely of self-interest but of the ...”

“... of expression’. Now English poetry, dormant since Chaucer and Lydgate, got to its feet and sang. John Leland, a friend of Wyatt’s youth, later wrote: ‘The English tongue was rude, its verses vile/Now, skilful Wyatt, it has known your file.’ The only blot on Wyatt’s record was his marriage to the daughter of a Kentish baron, Elizabeth Brooke. We do ...”

“... When he was 23, A.S.J. Tessimond (Arthur Seymour John, Jack to his family, but known as John in later life) wrote to Ezra Pound, who had recently settled in Rapallo, enclosing some poems and an article on George Bernard Shaw. Tessimond’s letter does not survive, but Pound’s reply does ...”

“... them written off: ‘Loathsome, oily Leon Brittan’, ‘the odious Heseltine’, ‘that prick John Patten . . . so ambitious that he squeaks when he walks’, ‘that lazy, greasy slob John Hunt’, ‘that toad John Major . . . who has always loathed me’ and so on. Only the ...”

“... what is Mr Playfair doing writing a book about him? For an answer we may perhaps turn to Professor John Taylor, who has known Fred – or rather a mate of his called Uri – from both sides. Eight years ago Uri Geller – ex-fashion model, conjurer and convicted con-man – hit out television screens with a miraculous display of spoon-bending. The effect on ...”

“... Gosse (the Father of Father and Son), who had his work for ever upstaged by The Origin of Species; John Churton Collins, a good journalist and scholar for ever cruelly ‘placed’ by one harsh Tennysonian snub; and Eliza Lynn Lynton, an early – too early – feminist. All are persons whose failure in life foreshadows that final shelving that time carries ...”

“... one Selznick employee thought Margaret Mitchell’s novel ‘ponderous trash’ and that another, John Van Druten, was sacked after calling it ‘a fine book for bellhops’. Well, there must be lots of bellhops. The world sales of the novel now total some ten million; and the film had already grossed $62 million by 1950. Not until the Sixties was it ...”

“... in circumstances that had a lasting effect. On 11 November 1975 the Governor-General, Sir John Kerr, dismissed Whitlam as Prime Minister, dissolved both houses of parliament, and installed the leader of the opposition, Malcolm Fraser, as head of a caretaker government pending immediate elections. It was the gravest crisis in Australian history. Hawke ...”

“... There is,’ John Lord Campbell observed in his multi-volume, Mid-Victorian Lives of the Lord Chancellors, ‘no office in the history of any nation that has been filled with such a long succession of distinguished and interesting men as the office of Lord Chancellor.’ A roll-call which included such illustrious history-makers as Wolsey, More, Bacon and Clarendon lent some credence to Campbell’s hyperbole ...”

“... by Philip Gross (three years on) 41; Jouissance by William Scammell (two years) 38; Disbelief by John Ash (three years) 55; Ken Smith’s Wormwood, a collection of poems written during a spell as a writer in residence in Wormwood Scrubs (one year), 30. The justification for such work-rates, beyond the economics of scraping a living and the PR requirement of ...”

“... Like most biographies nowadays, David Nokes’s John Gay is very long, but unlike some of the others it is not much longer than it needed to be. Gay devoted so much of his attention to people grander than himself that his life story can’t be told without allusion to those of more complicated and ambitious figures like Pope, Swift and Addison ...”

“... intermittently filled this kind of slot, beginning in 1947, when they commissioned the Labour MP John Parker and the Conservative MP Quintin Hogg, now Lord Hailsham, to produce books of a couple of hundred pages each. ‘When the manuscripts were received,’ the publishers were forced to reveal, ‘it was found that while Mr Parker had kept closely to the ...”

“... with ‘O little town of Bethlehem’ (Phillips Brooks) and ‘Dear Lord and Father of mankind’ (John Greenleaf Whittier) as runners-up. Among the works of the canonical English poets, the lines known to most people are probably those beginning Blake’s Milton, ‘And did those feet in ancient time ...’, which Parry set to music and turned into the hymn ...”