At Tate Britain
Peter Campbell: ‘Watercolour’, 3 March 2011
“... painted in France in 1918, has the gawkiness of something noticed, not composed, while in David Cox’s Tour d’Horloge, Rouen it is not so much the architecture of the clock tower as the patch of bright light seen through the arch at its base that is the subject. This kind of observation, centring on light, weather and landscape, became a ... ”