“... of legions of onlookers who didn’t know Walter Benjamin from Walter Brennan. Fascinated by Greta Garbo (‘I wanted to be Garbo,’ she wrote in her diary), Sontag managed to fashion a Garboesque mystique while carrying out the garrulous duties of a public intellectual for ...”

“... probably did more to provoke the attackers. To describe the assault as ‘mindless’ might not be so wide of the mark: it was vicious and random – typical, some would say, of an entire spectrum of violence intrinsic to modern Britain. Victim and assailants could have been typecast: Ford was blameless, a ‘promising’ lad; McCluskie and Reynolds were ...”

“... invitation to the underground government facility newly photographed in large-format full colour by David Moore. The Last Things (Dewi Lewis, £25) opens with an anonymous quote – ‘Ministry of Defence official, London 2007’ – that reads: ‘I don’t understand how you’ve got this far.’ What follows is a series of shots of unpeopled hallways ...”

“... Of all the many tributes to Michael Foot it was David Cameron who hit the nail on the head. He was, Cameron said, ‘almost the last link to a more heroic age in politics’. In appearance, and demeanour, Foot resembled an Old Testament prophet. An impression which, in later life, his shock of white hair, the passion of his delivery and the magnificence of his rhetoric served only to enhance ...”

“... the raciest of spy stories, presenting a sexed-up version of the 55-page charge sheet released by the FBI – the only actual information anyone really has – as the latest word in investigative journalism. Still, the FBI document spoke for itself: the spies moaned about not being able to get their super- secret laptops to work; two of them complained ...”

“... I don’t remember when I was first irritated by that children’s rhyme, which is wrong twice over. Oil painting may well be hard but in some ways it’s easier than painting in watercolour, and watercolours are often more beautiful. However, the prejudice the rhyme encapsulates does arise from real differences ...”

“... illustrated an elegant volume of Yeats’s poems from Arion Press in San Francisco, introduced by Helen Vendler. Vendler had already done an edition of Ashbery’s ‘Self-Portrait in a Convex Mirror’ for Arion, printed on roundel pages – wheels of paper 18” in diameter – with work by several artists, including ...”

“... and 2013, he provided the Obama administration with the legal basis for assassination carried out by drones. And despite having written academic papers backing a powerful and restrictive War Powers Act, he made the legal case for the Obama administration’s right to make war on Libya without bothering to get congressional approval. Koh, who has now returned ...”

“... materialise. From John Aubrey’s passing remark in 1665 that Stonehenge might have been built by druids, through William Stukeley’s obsessively detailed and almost entirely invented account of the druidic religion it took another hundred and fifty years, but in the early 20th century druids appeared at Stonehenge and they have been there ever since. It ...”

“... from the leadership of the Liberal Party in 1874 aged 65, but was leader and prime minister again by 1880, and quit his fourth premiership on a point of principle in 1894 aged 84, impatient, indignant, and half-blinded by a ginger biscuit thrown at him by an angry woman during a rally in ...”

“... is a very delicate time,’ we are told in Frank Herbert’s novel Dune (1965), and again in David Lynch’s 1984 adaptation. None of that ‘a long time ago’ stuff, especially since we’re not talking about the past. The action takes place in the first months of the year 10191. The year is also mentioned in Denis Villeneuve’s new version, which ...”

“... central character announces in Antonioni’s Blow-Up (1966), released in a new digital transfer by the Criterion Collection. A local antique dealer wants to get away, to Nepal maybe. When told that Nepal is all antiques, she says she thinks she’ll try Morocco. The film itself doesn’t seem to share these moods at all, it can’t get enough of the 1960s ...”

“... Exactly 146 interviews later, John le Carré, our premier narrative spook-meister, exhibits, by his own admission, that knack whereby the memory fails and the lie takes over. There is something in his tone that advises us not to believe him too much. The interview took place in 1997, more than thirty years after he left MI6, but he admits to ‘a ...”

“... Troubling’: that’s the word chosen by Penelope Curtis, the new director of Tate Britain, in her preface to the catalogue for Migrations, the gallery’s recently opened exhibition (it closes on 12 August). She’s referring to the name of the institution she heads. The launch of Tate Modern in 2000 gave Tate curators the thankless and well nigh incoherent task of demarcating which of their holdings belonged to a story about a specific nation and which to a story about value systems in general ...”

“... of the Alps: the ‘Man, Myth and Sensual Pleasures’ of the catalogue’s title are represented by the heavily muscled, well-fleshed figures derived from classical sculpture that Gossaert painted from his return from Rome until his death in 1532. The thin, almost emaciated naked bodies of earlier Flemish crucifixions and martyrdoms, and the ...”