At Tate Liverpool
Alice Spawls: Leonora Carrington, 23 April 2015
“... called reading The White Goddess ‘the greatest revelation of my life’. The figure of the muse, Robert Graves’s ‘Mother of all Living, the ancient power of fright and lust’, became less burdensome as manifested in The Giantess (c.1950), whose colossal central figure towers over the scene like a Madonna della Misericordia. She cradles an egg; geese fly ... ”