At Pallant House
Rosemary Hill: Victor Pasmore, 20 April 2017
“... Pasmore’s composition stops and starts. Perhaps only in the pictures of Wendy Blood, a pink-and-white blonde whom he married in 1940, is there a sense of unselfconscious connection between painter and subject, though even here Pasmore said that he was cocking a snook at Renoir’s sugary nudes. His career would seem to have owed something to the inferiority ... ”
