“... Archimedes, Bismarck, the Bible, Elizabeth Bishop, classical mythology, Coltrane, Einstein, Freud, King Lear, Marie Antoinette, Picasso, Puccini, Ramesses, Van Gogh and so forth. (One of the pleasures of earlier Lleshanaku, you realise wistfully, is the absence of such things, in the way that Prague or Budapest used not to be lit up at night and their streets ...”

“... difficult to read Milton’s narrative in Paradise Lost in this way – we visualise the Archangel Michael’s two-handed sword not as the double lever on a printing press, but simply as a sword, while we see ‘chaos’ and the ‘abyss’ physically, as part of outer space. Yet Milton, the adept student of Spenser, was designing a flexibly symbolic ...”

“... malevolent, piteous or merely inaccurate, ought to be wound up after the publication of Michael Straight’s contribution. Very possibly, Anthony Blunt will one day write such a book himself. But the names have almost all been named, the questions of motive worn smooth, the titles and pensions (some of them) stripped like epaulettes, the spell in ...”

“... the Queen of Romania, Queen Victoria’s third son, the Duke of Connaught, and less frequently King Edward VII. Rose quotes one of Nancy’s ‘most celebrated bons mots’: when invited by the King to play bridge, she is said to have refrained with the claim: ‘Why I don’t even know the difference between a ...”

“... perhaps Blake used the copper plate as a sketchpad, as Peter Ackroyd suggests in his biography. Michael Phillips’s replicas of the original plates testify to the artist’s industry and also to the devotion of modern Blakeans. The lay observer can hardly bear to contemplate the toil involved in all that neat, packed engraving, let alone in having to do ...”

“... Anthology, where Pound explicitly pays his dues by way of the parenthetical epigraph: ‘(King Charles)’. But in this case Pound’s adaptation is so inferior that there’s no point quoting anything but the Browning original. This is a deeper and more troubling poem than ‘Kentish Sir Byng’, because it articulates the all but suicidal sentiment ...”

“... when he included the verse ‘Look at that gal shake that thing./We can’t all be Martin Luther King’ in the second edition of his anthology, The Poetry of the Negro; the lines were originally written for the first issue, in June 1960, of the Student Voice, organ of the Student Non-Violent Co-Ordinating Committee, by its editor Julian Bond, now chair of ...”

“... There is only one confirmed case in Delphi’s history of the Pythia being bribed, by the Spartan king Kleomenes, and that isolated incident caused a scandal: as late as the second century CE the travel-writer Pausanias could still maintain that ‘as regards the corruption of the oracle, we know of no one whatsoever, except for Kleomenes, who even attempted ...”

“... a Lutheran court poet such as Clément Marot, from persecutions approved of by her beloved brother King Francis I. Why did Erasmus, despite it all, not break with Rome? Who was it who enabled the great Greek scholar Guillaume Budé to reconcile St Paul’s likening of humans in the hands of God to pots in a potter’s hand, some of which were predestined to ...”

“... and castrated in consequence: a romantic figure, like say Tchaikovsky, in an age of epics. Michael Clanchy’s life of him is too serious to count as romance, and too witty to be epic. He writes extremely well, and matches with a wide and happy learning, which runs from Socrates to Eliot and from Cole Porter to Eco, his intense engagement with the mind ...”

“... II – on the balcony of one, Hyman Roth slices up a birthday cake with a frosting map of Cuba as Michael Corleone and other Mob chieftains look on – or from the classic Soviet-era agitprop film I Am Cuba, in which rich Americans frolic around rooftop swimming-pools. Meantime, a few storeys below, a revolution looms. These relics are the hotels the Mob ...”

“... in middle age. A few years later, she also agreed to have a biography written by the historian Michael King, who took the approach of telling a ‘compassionate truth’, defined as ‘a presentation of evidence and conclusions that fulfil the major objectives of biography, but without the revelation of information that would involve the living ...”

“... of the play and then to finish on a spectacular death: roles like Richard III, Hamlet, Othello, King Lear and, above all, Macbeth. Given his long-nourished Anglophobia and the seemingly inevitable collision with Macready which remains the most celebrated event of his career, it may seem odd that Forrest was prepared to stake so much of his reputation on the ...”

“... the best essays in this book deals with the night scene in Henry V. On the eve of Agincourt, the King, disguised, moves among the common soldiers and is drawn into an argument about the war in which they are all engaged. It is a scene from which, through the centuries, commentators have flinched. The truth is that we are not given what we expect and desire ...”

“... to any Christian, not even to Jesus, or the Virgin ... I wouldn’t spare a pope, a cardinal or a king, not a one of them ... I wouldn’t spare an archbishop, a bishop or a priest. Neither nobles, gentlemen, nor bourgeois, neither artisans nor merchants, and not workers either, Like Goodman Misery (‘who will remain on the face of the earth as long as the ...”