Warhol’s Respectability

Nicholas Penny, 19 March 1987

The Revenge of the Philistines 
by Hilton Kramer.
Secker, 445 pp., £12.50, July 1986, 0 436 23687 7
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Gilbert and George 
by Carter Ratcliff.
Thames and Hudson, 271 pp., £14.95, November 1986, 0 500 27443 6
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British Art in the 20th Century 
edited by Susan Compton.
Prestel-Verlag (Munich), 460 pp., £16.90, January 1987, 3 7913 0798 3
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“... artist’s own photographs. Opposite the mud circles are some large pictures made by Gilbert and George. They also first attracted attention in the Sixties with a new conception of art, but of a different sort. Gilbert and George (we are not told their full names) went in for camp self-advertisement in the manner of Andy ...”

Sink or Skim

Michael Wood: ‘The Alexandria Quartet’, 1 January 2009

Justine 
by Lawrence Durrell.
Folio Society, 203 pp., £19.95, January 2009
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Balthazar 
by Lawrence Durrell.
Folio Society, 198 pp., £19.95, January 2009
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Mountolive 
by Lawrence Durrell.
Folio Society, 263 pp., £19.95, January 2009
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Clea 
by Lawrence Durrell.
Folio Society, 241 pp., £19.95, January 2009
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“... He was trying, sometimes precisely and sometimes with unbelievable slackness, to tell us, like George Meredith in his day, what he knew about ‘modern love’, and to find narrative forms that suited his slippery subject. The point is that the slackness may be as important as the precision; and that there are whole reaches of the novels that are neither ...”

It’s not me who’s seeing

Blake Morrison: Jon Fosse’s Methods, 5 January 2023

Septology 
by Jon Fosse, translated by Damion Searls.
Fitzcarraldo, 825 pp., £16.99, November, 978 1 80427 006 6
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Aliss at the Fire 
by Jon Fosse, translated by Damion Searls.
Fitzcarraldo, 74 pp., £10.99, November, 978 1 80427 004 2
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“... depicted them as a literary fab foursome, with Knausgaard the cute Paul and Fosse the spiritual George.) Fosse did once dabble in painting, though his greater passion was for music (‘I came to writing from rock music. A kind of almost imperceptible transition, from the guitar to the typewriter’) and there’s a scene in Septology in which the teenage ...”

Little Monstrosities

Hannah Rose Woods: Victorian Dogdom, 16 March 2023

Doggy People: The Victorians Who Made the Modern Dog 
by Michael Worboys.
Manchester, 312 pp., £20, February 2023, 978 1 5261 6772 9
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“... to cover his armchairs.Worboys describes the ‘Canine Castle’, the dog-dealing emporium of Bill George, a ‘nobby West End butcher’ (‘nobby’ was London slang for those with social pretensions), who was known as the ‘Father of the Fancy’. The Fancy was a loose fraternity of working-class men with a passion for pub-based blood sports. (Charles ...”

Humph

Peter Campbell, 4 July 1985

Degas: His Life, Times and Work 
by Roy McMullen.
Secker, 517 pp., £18.50, March 1985, 9780436276477
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Degas: The Dancers 
by George Shackelford.
Norton, 151 pp., £22.95, March 1985, 0 393 01975 6
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Degas Pastels, Oil Sketches, Drawings 
by Götz Adriani.
Thames and Hudson, 408 pp., £35, May 1985, 0 500 09168 4
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Bricabracomania: The Bourgeois and the Bibelot 
by Rémy de Saisselin.
Thames and Hudson, 189 pp., £12.50, February 1985, 0 500 23424 8
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“... ignorant and unnecessary: ‘I have spoken to the most intelligent people about art,’ he said to George Moore, ‘and they have not understood ... but among people who understand words are not necessary: you say humph, he, ha, and everything has been said.’ Critics not only rush in where there is nothing to be said, what they do say is glib: ‘Painting is ...”

R-r-r-r-r-uh-h. Huh! Pang

Clare Bucknell: Mondrian goes dancing, 22 May 2025

Mondrian: His Life, His Art, His Quest for the Absolute 
by Nicholas Fox Weber.
Knopf, 656 pp., £33, April, 978 0 307 96159 4
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“... second ‘a’ from his surname in 1909 at the insistence of his uncle, Frits Mondriaan, also a painter, who was ashamed of his nephew’s ‘depraved’ art.) His father, the first Pieter Cornelis Mondriaan, was a headteacher, an important local figure in the arch-conservative Orthodox Protestant sect. Mondrian was given his father’s name because he was ...”

The Reptile Oculist

John Barrell, 1 April 2004

“... poet, was born in 1757. His grandfather, the legendary ‘Chevalier’ Taylor, had been oculist to George II, and afterwards, so his grandson assures us, to ‘every crowned head in Europe’. He was as famous for his womanising as for his knowledge of ophthalmology, but most famous, perhaps, for his habit of prefacing every operation he performed with a long ...”

Prosecco Notwithstanding

Tobias Gregory: 21st-Century Noir, 3 July 2008

The Lemur 
by Benjamin Black.
Picador US, 144 pp., $13, June 2008, 978 0 312 42808 2
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“... go … if those millions went – not just the house in the Hamptons, the rooftop suite at the George V in Paris, the account at Asprey’s in London, but most important, control of the Mulholland Trust. That was what Louise prized most; that was the future. Glass spends his happiest moments with his mistress, Alison, a young Irish ...”

At Compton Verney

Elizabeth Goldring: Portrait Miniatures, 20 February 2025

“... a collection of miniatures which would include at least one signed example by every miniature painter ever to have worked in the British Isles. Six years later, in 2019, the Grantchester Collection – more than forty British miniatures from the 16th, 17th and 18th centuries – was given to the museum by Lady Grantchester, the sister of Sir Peter ...”

Drugs, anyone?

Seamus Perry: George Meredith, 18 June 2015

Modern Love and Poems of the English Roadside, with Poems and Ballads 
by George Meredith, edited by Criscillia Benford and Rebecca Mitchell.
Yale, 390 pp., £40, April 2015, 978 0 300 17317 8
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“... they are incoherent enough to constitute a problem is always going to be the nice question. Take George Meredith. No one can regard him as a significant thinker now – almost all of his work is long out of print – but for a few decades at the end of the 19th century and the start of the 20th he was the cutting edge, a highbrow’s highbrow, and he ...”

Ismism

Evan Kindley: Modernist Magazines, 23 January 2014

The Oxford Critical and Cultural History of Modernist Magazines: Volume I: Britain and Ireland 1880-1955 
edited by Peter Brooker and Andrew Thacker.
Oxford, 976 pp., £35, May 2013, 978 0 19 965429 1
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The Oxford Critical and Cultural History of Modernist Magazines: Volume II: North America 1894-1960 
edited by Peter Brooker and Andrew Thacker.
Oxford, 1088 pp., £140, July 2012, 978 0 19 965429 1
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The Oxford Critical and Cultural History of Modernist Magazines: Volume III: Europe 1880-1940 
edited by Peter Brooker, Sascha Bru, Andrew Thacker and Christian Weikop.
Oxford, 1471690 pp., £145, March 2013, 978 0 19 965958 6
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“... because ‘she was not allowed to buy anything her boss didn’t understand.’) H.L. Mencken and George Jean Nathan subsidised their succès d’estime the Smart Set with ‘louse magazines’ such as Parisienne, Saucy Stories and Black Mask. Die neue linie, featuring work by Bauhaus designers such as László Moholy-Nagy, Herbert Bayer and Irmgard ...”

Shaving-Pot in Waiting

Rosemary Hill: Victoria’s Albert, 23 February 2012

Magnificent Obsession: Victoria, Albert and the Death That Changed the Monarchy 
by Helen Rappaport.
Hutchinson, 336 pp., £20, November 2011, 978 0 09 193154 4
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Albert 
by Jules Stewart.
I.B. Tauris, 276 pp., £19.99, October 2011, 978 1 84885 977 7
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“... unwelcome foreign influence, while Queen Anne’s union with the ‘dull-brained, wine-bibing’ George of Denmark inspired little enthusiasm. Neither marriage was in living memory but Albert had arrived at a moment when the British were much preoccupied with reconsidering their past. In particular, in the wake of Catholic emancipation and with the Oxford ...”

King Cling

Julian Bell: Kings and Collectors, 5 April 2018

Charles I: King and Collector 
Royal Academy, London, until 15 April 2018Show More
Charles II: Art and Power 
Queen’s Gallery/London, until 13 May 2018Show More
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“... Perched​ on one platform, King Charles I; perched on another, the Dutch painter Daniel Mytens; lowered in between them, a canvas some two feet taller than the king, who was reportedly of small stature. If, as an inscription on the finished portrait insists, the likeness was painted ad vivum, then this might have been the way to do it ...”

Parodies

Barbara Everett, 7 May 1981

A Night in the Gazebo 
by Alan Brownjohn.
Secker, 64 pp., £3, November 1980, 0 436 07114 2
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Victorian Voices 
by Anthony Thwaite.
Oxford, 42 pp., £3.95, October 1980, 0 19 211937 0
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The Illusionists 
by John Fuller.
Secker, 138 pp., £3.95, November 1980, 0 436 16810 3
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“... timelessness that makes them oddly available to the poet. In another monologue here, Thwaite makes George Dennis, Consul at Benghazi and a passionate antiquarian, open with words that form a splendidly resonant though decorous conceit for the poetic process itself: Rich bronzes, figured vases, jewellery – Fruits of my labours, subterranean joys: My men sit ...”

Diary

Tim Hilton: Art Talk, 19 November 1992

“... laugh. I heard later that the two had become buddies and worked together in some way. Perhaps the painter got the chauffeur’s job. While writing this diary I’m thinking about conversation, real and reported, the talk of the young and the old. Art education has hardly anything to do with reading books and being able to write, these silent activities. The ...”