Writing Machines
Tom McCarthy: On Realism and the Real, 18 December 2014
“... toreador is), plots a ‘perfect’ car crash in which his own vehicle will collide with Elizabeth Taylor’s (not a stand-in this time, but the actual actress – that is, the genuine stand-in) at the precise moment of his orgasm: a supremely wrought marriage of techne, spectacle, sex, death and all the rest. He finds out when her car will pass such ... ”