“... Midway through the 2003 invasion, an American officer was shown on TV directing tank crews away from the site of Babylon, explaining to them that it was an important part of Iraq’s heritage. This led me to assume that the army had acted on information that I, among others, had given them about the significance of the ancient region of Mesopotamia ...”

“... 1 January, Yorkshire. Ill over Christmas I say to Ernest Coultherd, a farmer in the village, that my Christmas dinner consisted of a poached egg. ‘Oh. Credit crunch, was it?’ Two dead salmon in the beck just above Mafeking Bridge, both of them huge creatures, nearly two feet long, so big that one wonders how the beck at low water can accommodate them, though there are a few deepish pools ...”

“... Each morning, the great, grey New York Times publishes a box headed ‘Corrections’, which box makes a sort of running auto-adjudication on the performance of the journal of record. On one day, there is a matter of spelling or nomenclature set right ...”

“... Taking​ British Communist art seriously means, to a degree at least, taking British Communism seriously. This is difficult to do when looking at Viscount Hastings’s mural from 1935, The Worker of the Future Clearing Away the Chaos of Capitalism, in what is now the Marx Memorial Library in Clerkenwell ...”

“... To read Virginia Woolf when young is, or was, to have the feeling of entering a new world, to realise with sudden ecstasy that this was true being, where words and consciousness and the solitary self melted into one. ‘She gave me eyes, she gave me ears,’ wrote Wordsworth of his sister Dorothy. Virginia Woolf gave more than that: she gave, or seemed to give, the pure Private Life, quite separate from the contingent miseries, anxieties and rivalries of adolescence, a free-floating poetic awareness, an otherness wholly and excitingly up-to-date ...”

“... For a​ retired brothel, Hotel Esperance provided an excellent breakfast. My Brussels sponsors had arranged for me to occupy the favoured chamber with its freestanding claw-footed bath, wispily draped Art Deco dryads, fishbowl lights and heavy velvet curtains. The set was screaming for a David Lynch remake of The Masque of the Red Death ...”

“... chapters to get to the moment everyone remembers, whether they’ve read Wuthering Heights or not: a man in bed, a dream, the insistent tap-tap of a branch at the window, a broken pane, the man’s fingers closing on ...”

“... The term ‘graphic novel’ is dismissed by most of its practitioners as either an empty euphemism or a marketing ploy. As Marjane Satrapi puts it, graphic novels simply enable ‘the bourgeois to read comics without feeling bad’; according to Alan Moore, they allow publishers to ‘stick six issues of whatever worthless piece of crap they happened to be publishing lately under a glossy cover and call it The She-Hulk Graphic Novel ...”

“... Alan Hollinghurst​ ’s tally as a published novelist is six books over 29 years, so that’s more than two thousand pages of astonishing responsiveness to light, sound, painting, the past, social nuance, music, sensation both sexual and otherwise, buildings inside and out, the inner life of sentences – this is only the beginning of a list ...”

“... The market gardens and nurseries which surrounded this urban housing disappeared rather slowly, as land to the south of Kensington High Street was developed. The modest scale of the brick houses of Kensington Square, the neat brick and stucco of Edwardes Square (1811-25) and the Italian-villa-like elevations of Launceton Place (1840-3) gave way to cliffs of ...”

“... situation is desperate. She was there because her husband had been hired to ‘curate and organise a small collection of rare books at the university … the gift of a rubber industrialist’. Friends asked why they’d made this uninspiring move. ‘The economy, you know. I mumble. ...”

“... the things they speak of come to pass. But one last fin-de-siécle anthologising project remains: an anthology of anthology introductions. We would then be able to follow the growth not only of a market but of a genre, a genre with its own protocols and ...”

“... It​ was John who had the idea that I should say something about his professional life at his funeral. It was a very nice idea and I’m glad – not to say flattered – that he had it. But I found it a spookily hard thing to do. ‘Spooky’ because every time I thought I had a point to make I heard myself checking it with John – ‘Is that right?’ ‘Can I say that?’ ‘Does that make sense?’ – and then I began to understand what had happened to all of us ...”

“... Remnants, Portraits, Experience: titles nicely in tune with his well-known view of himself as a chap who could surely have done better. One of his favourite lines of poetry was Hartley Coleridge’s ‘For I have lost the race I never ran’ and early on in his career he got used to being spoken of as having ...”

“... When Robert Stone’s best-known novel, Dog Soldiers, was published in 1974, there was a small but significant overlap of material with The Electric Kool-Aid Acid Test, Tom Wolfe’s souped-up, superheated journalistic account of the beginnings of the counterculture, published six years earlier. The coincidence of material was in many ways inevitable ...”