Horsemen
Carolyn Steedman, 4 February 1988
“... the farm labourer as bearing the huge symbolic weight that this culture has bestowed on him, since Richard Jefferies allowed Hodge to lumber into view, in the 1880s, a huge, romantic figure, of elemental simplicity of mind. Indeed, Evans’s earliest work can be clearly placed in the context of the neoromanticism of the Second World War and the early ... ”