Waiting for the Dawn to Come

Rachel Bowlby: Reading George Eliot, 11 April 2013

Reading for Our Time: ‘Adam Bede’ and ‘Middlemarch’ Revisited 
by J. Hillis Miller.
Edinburgh, 191 pp., £19.99, March 2012, 978 0 7486 4728 6
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... concerns of its particular milieu. In Reading for Our Time, J. Hillis Miller is moved to comment more than once on this passage about a spectator alone with a view. To readers familiar with Miller, it will come as no surprise. In a literary journey that has now reached its seventh decade (his first book appeared in the 1950s), Miller has often stopped to ...

Post-Modern Vanguard

Edward Mendelson, 3 September 1981

After the Wake: An Essay on the Contemporary Avant-Garde 
by Christopher Butler.
Oxford, 177 pp., £7.95, November 1980, 0 19 815766 5
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... music and painting maintains a judicious critical distance from its subject. Readers who wish a more direct report from the front lines of the avant-garde should consult a new anthology, Collective Consciousness: Art Performances in the Seventies, edited by Jean Dupuy.* This documents the work of almost two hundred avant-gardists from Europe and America who ...

Models and Props

Nicholas Penny: Caravaggio in the Studio, 10 August 2000

Caravaggio 
by Catherine Puglisi.
Phaidon, 448 pp., £24.95, May 2000, 0 7148 3966 3
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Caravaggio’s Secrets 
by Leo Bersani and Ulysse Dutoit.
MIT, 118 pp., £18.50, September 1998, 0 262 02449 7
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by Peter Robb.
Bloomsbury, 567 pp., £25, January 2000, 0 7475 4599 5
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Quoting Caravaggio: Contemporary Art, Preposterous History 
by Mieke Bal.
Chicago, 305 pp., £28.50, October 1999, 0 226 03556 5
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Doubting ThomasA Novel About Caravaggio 
by Atle Naess, translated by Anne Born.
Owen, 159 pp., £14.95, June 2000, 0 7206 1082 6
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Caravaggio: A Life 
by Helen Langdon.
Pimlico, 447 pp., £15, November 1999, 9780712665827
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... inspired by his youthful canvases, typically featuring a gay pink plume against a buff wall. Even more of them imitated the grimmer scenes he adopted in the second half of his career, in which a scrawny arm and corrugated brow are sharply lit against deep shadow. His art was subjected to stern strictures by some of the most eloquent critics and theorists in ...

I, Lowborn Cur

Colin Burrow: Literary Names, 22 November 2012

Literary Names: Personal Names in English Literature 
by Alastair Fowler.
Oxford, 283 pp., £19.99, September 2012, 978 0 19 959222 7
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... British) to a petty clerk? Is your word your clerk? I don’t think so. Bond. It’s in the name. More than most literary phenomena, names in fiction seem very straightforward until you start to think about them. The simple question, ‘why does a name sound right?’ leads to a whole range of questions. Are there rules about how names are given to ...

Do-It-Yourself

George Steiner, 23 May 1996

The Modern Epic: The World System from Goethe to García Márquez 
by Franco Moretti, translated by Quentin Hoare.
Verso, 250 pp., £44, March 1996, 1 85984 934 2
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... of class-conflicts. In a great novel – so Lukács – in a major fiction by Balzac, Tolstoy or Thomas Mann, the ripening of the epic and of tragic and comic drama is harvested and given full deployment. It is only minor, ephemeral fiction, by which Lukács intends psychological miniaturism on the one hand and naturalism or verismo on the other, which seeks ...

Downland Maniacs

Michael Mason, 5 October 1995

The Village that Died for England 
by Patrick Wright.
Cape, 420 pp., £17.99, March 1995, 0 224 03886 9
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... used to exist, as an ex-Tyneham resident complained: there was only ‘Purbeck Valley’. The more general military takeover of Purbeck, temporary in its first execution, made permanent in due course through various bureaucratic and Parliamentary sleights-of-hand, goes back to 1916, when Bindon Hill became the testing-ground of the newly created Tank ...

Before the War

Tariq Ali, 24 March 2022

... entry into Nato is the brightest of all red lines for the Russian elite (not just Putin). In more than two and a half years of conversations with key Russian players, from knuckle-draggers in the dark recesses of the Kremlin to Putin’s sharpest liberal critics, I have yet to find anyone who views Ukraine in Nato as anything other than a direct ...

At Tate Britain

Peter Campbell: How We Are, 5 July 2007

... there is nothing of that here), while social reformers made it a persuasive one. In Thomas Annan’s Close No. 118 High Street, from an album produced in the late 1800s for the Glasgow City Improvement Trust, a group of inhabitants pack the end of a narrow alley as though swept down it the way rubbish is swept down a gutter. Such ...

At the Movies

Michael Wood: ‘The Sisters Brothers’, 9 May 2019

... having seen in DeWitt’s novel a starting point for the film. The screenplay is by Audiard and Thomas Bidegain. The performances of Reilly and Phoenix are amazing, and lead us back to the question of what kind of western this is. Eli is a variant on the Faulknerian idiot, apparently unlucky and ungraceful – the scene where a spider enters his mouth while ...

On Drawing

Julian Bell, 3 April 2025

... would be friendly to the hand, were it not that your fingers need to stray to Google Images for more.)Owens has wide sympathies and a joyful way with a paragraph. In particular, as a former curator at the V&A, she takes a gourmet’s pleasure in the materials of drawing (Seurat’s handmade paper with its ‘distinct “tooth”, as bumpy as an orange ...

Crop Masters

Daniel Aaron, 19 January 1989

Tobacco Culture: The Mentality of the Great Tidewater Planters on the Eve of the Revolution 
by T.H. Breen.
Princeton, 216 pp., $9.95, February 1988, 0 691 04729 4
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... provided American revolutionists with a schema. The pervasive influence of Country publicists like Thomas Gordon, John Trenchard, Bolingbroke and Benjamin Hoadly on colonial pamphleteers is now taken for granted. American historians have tested Bailyn’s thesis by extending and particularising it. This is what T.H. Breen has done in Tobacco Culture. The ...

Spies and Secret Agents

Ken Follett, 19 June 1980

Conspiracy 
by Anthony Summers.
Gollancz, 639 pp., £9.95, May 1980, 0 575 02846 7
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The Man Who Kept the Secrets 
by Thomas Powers.
Weidenfeld, 393 pp., £10, April 1980, 0 297 77738 6
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... merely serves the President, so if it was trying to kill Castro then Kennedy must have ordered it. More generally, the evil that the CIA does is no more than the evil of presidents. The argument begs the question, but it also depends upon an unsophisticated approach to the behaviour of large organisations. A body like the ...

Elimination

Peter Barham: Henry Cotton, 18 August 2005

Madhouse: A Tragic Tale of Megalomania and Modern Medicine 
by Andrew Scull.
Yale, 360 pp., £18.95, May 2005, 0 300 10729 3
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... in Edinburgh in the 1850s confided that patients entering hospital for surgery were ‘exposed to more chances of death than was the English soldier on the field of Waterloo’. By the end of the 19th century, however, Joseph Lister had introduced an effective antisepsis routine, and this, combined with anaesthesia, had transformed surgery (though mortality ...

Ode on a Dishclout

Joanna Innes: Domestic Servants, 14 April 2011

Labours Lost: Domestic Service and the Making of Modern England 
by Carolyn Steedman.
Cambridge, 410 pp., £21.99, November 2009, 978 0 521 73623 7
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... commonplace books to place him in a ‘West Riding enlightenment’ based on the ideas of Thomas Nettleton in Treatise on Virtue and Happiness (1736). The richness of the source material made it possible for Steedman to achieve great depth of characterisation, both of the people and of their environment. Labours Lost, a study of domestic servants, who ...

Cumin-coated

Colin Burrow: Two Novels about Lost Bellinis, 14 August 2008

The Bellini Card 
by Jason Goodwin.
Faber, 306 pp., £12.99, July 2008, 978 0 571 23992 4
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The Bellini Madonna 
by Elizabeth Lowry.
Quercus, 343 pp., July 2008, 978 1 84724 364 5
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... turned it quickly with a wooden spoon.’ Goodwin, it seems, knows that we deserve something a bit more nourishing than the plot, which is 100 per cent cumin-coated tripe. Elizabeth Lowry’s The Bellini Madonna, mercifully, is set not in a Venice that’s trying to be a fake Canaletto but in a ‘17th-century manor house with Victorian accretions’, which a ...