“... in 1980, mainly in a hippyish French Quarter teahouse called Until Waiting Fills (a line from Robert Heinlein’s Stranger in a Strange Land, or a variation on one), where the curtains were never opened. Neither book was so huge as to destabilise the whole experience of reading. Bottom’s Dream does that. I first saw the book on the Newly Arrived shelves ...”

“... of recent months are one of Hoover’s successors, James Comey, and presumed national saviour Robert Mueller. In the liberal imagination now, the FBI and its erstwhile directors are your friends in the #resistance. If FBI agents are as lazy as they used to be when it comes to investigating writers, at least their job is much easier than it once was: these ...”

“... house in Highgate, found impossible to imagine. About ten years ago I discovered that Greta Hall, Robert Southey’s house in Keswick, was available for holiday lets, and that one of the bedrooms still had the four-poster in which Coleridge had slept. I booked it and drove Michael up there. He knew the Lakes much better than I did, having walked them in his ...”

“... make the allusion plain: their columns open out into great branches. The idea goes both ways. Robert Frost wrote of his forest of ‘young fir balsams like a place/Where houses all are churches and have spires’. As god is to man, Friedrich seems to say, so man is to nature: we are the ones who shape it, who isolate and set off its beauty. But the ...”

“... Corrections to the dates of subsequent letters are also duly made. One more example: a letter to Robert McAlmon that was mistakenly assigned to 2 May 1921 in the first edition, but is correctly assigned to 22 May in this one. It matters a lot, because it is written on the same paper used in three other letters written between 9 and 22 May; Eliot also used ...”

“... new flats to be built on the square’s old bomb site. In his monograph on Auerbach from 1990, Robert Hughes writes that ‘the flavour of Camden Town recalls a fact of Sickert’s work which applies to Auerbach’s today: its attachment to the common-and-garden, to the compost of life.’ Compost? That word implies fertility and regeneration, but ...”

“... Philadelphia School of Design for Women. She was influenced by the work of the American painter Robert Henri, who had founded the Ashcan School – a movement that championed gritty depictions of urban scenes. ‘I didn’t want to be taught Impressionism,’ Neel explained. ‘I didn’t see life as Picnic on the Grass. I wasn’t happy like Renoir.’ Her ...”

“... know that Milton translated his poems into Latin and back again, or that the first nine poems in Robert Frost’s first book correspond to the first nine cantos of Tennyson’s In Memoriam. Rather than consolidate such knowledge and put it into practice, our institutionalised creative writing programmes seem to have buried it as radioactive waste. Mnemosyne ...”

“... Can historical biography still be written? Joel Hurstfield, who had planned a life of Robert Cecil, the chief minister inherited by James I from Queen Elizabeth, abandoned it in the 1960s in the belief that the genre had had its day. Geoffrey Elton, so much of whose career has been occupied with the achievements of Thomas Cromwell, has never thought biography to be the fitting means of approaching him ...”

“... Browning is in high favour once again, or promises to be. Has not A.S. Byatt, CBE, declared him ‘one of the very greatest English poets’? In a switch to fighting talk, she adds that ‘his greatness has never been fully acknowledged or described ... in part because he is difficult to docket in terms of the usual literary discussions of Victorian Poetry ...”

“... on Ministry of Labour notepaper. Exactly how Macleod’s marriage worked is a question which Robert Shepherd is far too respectful to answer. Inevitably, Macleod’s wit and somewhat dissolute charm appealed far more to Tory selection committees than did Powell’s heavy earnestness, hunting pink or no. In 1948 Macleod was selected for the safe seat of ...”

“... need evidently felt by its audience for authoritative/enthusiastic communicators (Kenneth Clark, Robert Hughes, Wendy Beckett) which no other artistic public feels – though these things are doubtless relevant. I mean the priority given to a mode of address: when the critic performs, not by talking to us about work to which we’re both assumed to have ...”

“... were drawn up of such notorious Communists or Communist sympathisers as Brian Walden, David Owen, Robert Mellish, John Stonehouse, Roy Hattersley and Reg Prentice; and even a bogus pamphlet on ‘revolutionary strategy’ for the installation of socialism in Britain was contrived for off-the-record briefing of American journalists, the joint ...”

“... is to do more than merely exclaim about the fact.’ The ‘other Victorian’ is identified as Robert Browning, writing to his friend Julia Wedgwood: but it is in fact Julia Wedgwood, writing to her friend Robert Browning (it is also misquoted: ‘desire of an Immortality’, it should read, which makes a ...”

“... this association. The Enemies of a Bishop (1929), published here for the first time, ends with Robert Bicknell shooting his Spectre, a crime the village policeman greets with typical equanimity: Policeman: Ee’s dead. ’Oo is ’e? Robert: My spectre. I had one. Policeman: That’s unusual. I’ope you’re coming ...”