“... of the Madonna. Another example is provided by works showing the angel Gabriel appearing to the young Virgin, which are invariably now called an Annunciation. Rather unexpectedly, in texts before about 1800, when most pictures of this kind were still in churches, these works were an Annunciation when they were part of a series of stories of the life of ...”

“... as if they’d just been done with Persil in a boil wash. One of those long summer days, my friend David and I got caught after stealing powdered floor cleaner from the local supermarket and pouring a huge mound of it in a doorway. The manager went in search of our mothers and made them pay for our strange artwork. They brought buckets, ...”

“... of response the book provokes, if it happens to do its thing for you. Nearly thirty years ago, David Lodge wrote a brilliant essay, called ‘The Modern, the Contemporary, and the Importance of Being Amis’, republished in his collection Language of Fiction (1966). All right, this essay said, so no one with any sense ever pretended that Lucky Jim was a ...”

“... pleasure that remains to me: I indulge in reading about movies with undiminished enthusiasm. David Thomson has written about his disappointment with contemporary cinema, about how the franchise movie and the blockbuster are killing Hollywood and his hopes, and because I am one of the legion of Thomson’s devoted fans, it cheers me up to hear it. If he ...”

“... very uncomfortable in the role.’ His darkly comic, fictionalised portrait of the artist as a young bungler, Youth (2002), published a year before the Nobel Prize, reveals just how far he was prepared to go to refuse it. Coetzee’s wariness about the terms in which he and his writing have been criticised or championed is not motivated by a lofty belief ...”

“... Union, but her independent – and extreme – militancy caused a breach. In the words of David Mitchell, a biographer of Christabel Pankhurst, she became ‘an incorrigible freelance’. In the summer of 1913, newsreel cameras captured her running across the course of the most popular race of the year, the Epsom Derby, falling under a horse and lying ...”

“... a welcome end to their journey. ‘There was great joy to see the land,’ the Baptist preacher David George recalled. ‘The high mountain, at some distance . . . appeared like a cloud to us.’ They had retched and ached through seven weeks of storms and pernicious fevers at sea. Now they raised three cheers and fired a salute. Their British officers ...”

“... time in Europe, too, it was still common to hear Modernism called decadent or degenerate. As a young German who benefited intellectually from the secret largesse of the CIA and its affiliates at the time, I’d say it was just as well the agency didn’t publicise its financial support for the export of American Modernism. The events at Germany’s ...”

“... complains before the assault on Tokyo begins. ‘We’ll be joining your father soon,’ a young widow tells her children as the Ginza district collapses around them, and we sense that her husband probably died in the war. The film also puts an unusual emphasis on the aftermath of the monster’s attacks – little girls being scanned by crackling ...”

“... the idea of facing off an authentic and an assumed self towards the end of Leopoldstadt, when two young men face each other for the first time since Kristallnacht: one is ‘a writer of funny books’ who was taken to England as a child; the other is a mathematician whose family stayed in Vienna. For one, being Jewish has been crucial; for the other, it has ...”

“... Hazan’s book is thick with quotations from Balzac’s novels and stories. The translator, David Fernbach, had to decide how to handle them: translate them himself, or seek out existing versions? Understandably, he adopted the latter course, but in some cases he chooses Katherine Prescott Wormeley’s translations from the late 19th century, which are ...”

“... of a popular and oppositional British film culture. Indeed, its cast of gays, blacks and young characters made it seem a product of a hypothetical GLC film unit. Small wonder that Norman Stone bemoaned ‘the overall feeling of disgust and decay’ conveyed by the film and complained that Kureishi was inciting a ‘sleazy, sick hedonism’. Audiences ...”

“... in the book makes no clearer what Lloyd takes Yeltsin’s options realistically to have been. David Remnick’s book is at its best on the Chechen conflict, though not because it tries to answer the hard questions. It more or less takes for granted that the invasion was both a folly and a crime, and concentrates on bringing home its human cost. The ...”

“... Women Writing about Money (1995) gets more thoroughly into the topic than a biographer can, and David Nokes provides even more insights than Tomalin into (say) Austen and legacy-hunting. In fact Tomalin’s considerable strengths are surely of another kind – to do with her modern, matter-of-fact tone of voice and her narrowed focus on Jane Austen as the ...”

“... dicta gathered together in the Yale Book does bring to mind a quotation from the only song by David Byrne for which it finds space: ‘You may ask yourself/Well, how did I get here?’How did we get here? What can the history of books of quotations tell us about what they’re now expected to contain? As everybody knows, ‘there is no new thing under the ...”