“... the rooftops of Sauchiehall Street might be Fyvie in Aberdeenshire, as drawn by Jessie M. King. For there is another character evident, one which so many of the visitors come to see: the sensuous, decorative excitement of the Art Nouveau. It is there in the treatment of the metalwork, in the tapering timber columns of the central first floor ...”

“... scenes occur in the great mining films of the early 1940s (Carol Reed’s The Stars Look Down, John Ford’s How Green Was My Valley). Bernard soon leaves the mineshafts behind. His main interest lies in the ways in which the advent of the elevator transformed the design, construction and experience of high-rise buildings, and thus of modern urban life in ...”

“... Theory (1928), ‘calling higher or lower, celebrating a leader or a suggestion, honouring the king or some other person, or denying the acclamation by silence or complaining’. ‘Public opinion,’ he continued, ‘is the modern type of acclamation.’A host of new instruments were developed to capture this ‘modern type of acclamation’, though few ...”

“... the 1970 ‘School Kids Issue’ of Oz. The classic defence tactic was used of having counsel – John Mortimer QC – representing two of the editors and arguing issues of law, while the other, Richard Neville, represented himself and said things that lawyers were not permitted to say (though Mortimer was at his fluent best when not talking about the ...”

“... river, like memory, full of people, places, ideas, things, all with an ambiguous reality status. King Kole, the Aboriginal cricketer, standing at the rail of the Paramatta, watching a pilot-boat butt its way across Gravesend Reach, knew he had arrived at the Land of Death. Gravesend did for Pocahontas, the Indian princess, too: she died there, on her way ...”

“... could not be ‘equal’ if it was also ‘separate’, through a decade of Martin Luther King’s non-violent marches, boycotts and sit-ins against Southern segregation, American Presidents were forced at last to pay serious attention to the African American. If Eisenhower was reluctant and Kennedy visionary, it was Lyndon Johnson who turned black ...”

“... period. By the mid-century touring exhibitions were taking some popular English pictures such as John Martin’s Great Day of his Wrath as far as America. Frith’s Derby Day even reached Australia. Hyperbolic publicity was circulated which boasted of the time consumed in making these pictures, the painstaking search for ‘authenticity’, the number of ...”

“... like Bolivia or Paraguay. De Gaulle said that Chile was ‘the pilot country of Latin America’. John Gunther wrote in 1967 that Chile was ‘one of the most civilised countries in the world’, and that the general line of government was ‘roughly that of the New Deal of Franklin D. Roosevelt or even the British Labour Party’. There is not a hint of such ...”

“... tone pretty well with his remark that ‘the Jewish Marienbad has gone downhill since the British King Edward died.’ But Mr Soroker’s social standing is toppled by an epistle in the most ceremonious and denunciatory Hebrew from the formidably orthodox Itche-Meyers, accusing him of paying Falstaffian attentions to both their wives: their letter (here ...”

“... and they are moved by human motives. It is not merely that their morals are mortal – that the King of the Gods is more renowned for the ingenuity of his philandering than for the wisdom and justice of his rule. Olympus is also a theatre of the trivial and the frivolous, of tiffs and squabbles, and of buffoonery: limping Hephaestus is a figure of fun ...”

“... Walsingham gave to Sidney and Languet and other terror-stricken Protestants in Paris. Perhaps, as John Cooper conjectured in his 2011 Life of Walsingham, such scenes were literally indescribable in diplomatic correspondence, their details committed instead for maximum security to the memory of couriers who conveyed the news to London. While the events of St ...”

“... first feature, Pather Panchali (1955), is a masterpiece of non-Italian Italian Neorealism. So is John Cassavetes’s first movie, Shadows (1959), populated by underemployed jazz musicians and shot in and around Times Square. Neorealism was the inspiration for British ‘free cinema’ and kitchen-sink realism. Jean Rouch’s ethnographic features made in ...”

“... are Biblical or mythical, Gawain describes its hero – a knight at the legendary court of King Arthur – on a journey to fulfil a promise made to a mysterious green-skinned knight. He travels past Anglesey, through North Wales and into the Wirral and then penetrates ‘countrayez straunge’ (countries strange). On a map, if you draw a circle around ...”

“... themselves on the British imagination. One of these was the massacre at Kanpur, where the Maratha king Nana Sahib turned against a corps of about a thousand Europeans, laying siege to their cramped entrenchments. After a punishing fortnight under fire, and some 250 deaths, the British surrendered with a promise of safe passage to Allahabad. But as they pushed ...”

“... about whether he’d have to walk backwards down the steps after receiving his prize from the King of Sweden (about which he was seriously nervous); he traded bonhomous badinage with girlfriends from the distant past; he cheerfully sent the photographs and supplied the autographs; he commended the amateur physicists for their bold ...”