“... theatrical and televisual influences from Jacques Tati, through the Cabaret Voltaire, to Tom and Jerry. The jokes are new, the comic situations are different, but there is something in the relationship – the odd pairing of minds adrift in their own skewed universe – that immediately suggests Eric and Ernie. Morecambe and Wise should perhaps be ...”

“... or wasn’t only, a pulp craftsman embittered by the faint praise he’d been lobbed by Edmund Wilson before the likes of Eliot and Auden announced themselves as fans. Slick magazine writers were no good either – ‘their scenes are almost tiresomely neat … but they are little men who have forgotten how to pray’ – and when discussing the right way ...”

“... by his informal editorial panel, his publisher John Murray and the odd couple of John Sparrow and Tom Driberg. Sparrow was a grammarian pedant, ‘a great which-hunter’, as Murray put it, while Driberg watched the tenses and any surfeit of sentiment like a hawk. ‘If that’s what heaven’s like it won’t be bad’ was, for Driberg, rather ‘in the ...”

“... au Magistrat’, though without saying where or when. I am grateful to the sharp eyes of Andrew Wilson, who spotted the Mountjoy reference by chance (or by alphabetical serendipity: he was researching a family ancestor called Merryweather) and kindly shared it with me. The story, such as it can be reconstructed, is contained in two sets of court ...”

“... the years, his list of suspects in the West became more and more outrageous. They included Harold Wilson, Olaf Palme, Willy Brandt, Armand Hammer, Averell Harriman, Lester Pearson and Henry Kissinger. They also included every Soviet defector who had come after him. These men had been sent, Golitsyn said, to discredit him because the KGB knew how dangerous he ...”

“... would be pretty much sealed. We would enter the scenario predicted – with some relish – by Tom Nairn, the sage of Scottish political prophecy: ‘Any day now the wolves will break into the drawing room – and it’ll not be the cucumber sandwiches they’re after!’ But that seems unlikely. Assuming the wolves are still some way off, might not a ...”

“... glorifying the work of the Velvet Underground over Motown releases, the production skills of Brian Wilson over those of Norman Whitfield, and the social significance and songwriting talent of John Lennon rather than James Brown – persists. Clearly, too, most rock writing foregrounds lyrics, whereas most dance music works through texture, beats and ...”

“... supervillain of Scottish history. As he writes, the rot started before she took office, but where Wilson, Callaghan and even Heath sought to manage the decline of Britain’s traditional industries, Thatcher removed the state from the equation, except when deploying its enforcers to put down ‘the last great action of the mineworkers’. Lloyd offers a ...”

“... There is more vim and traction in later missives to the Scottish poets Robert Crawford and Rab Wilson, written in the six-line, tightly rhymed stanzas known as standard Habbie. ‘Surprising by their fine excesses,’ he says of Burns, in another echo of Keats’s letters, ‘Like bottled stuff that effervesces,/The lines fly past like fast ...”

“... dissolved. Our ‘crisis’ of national identity has become an old friend. It’s 25 years since Tom Nairn first willed the ‘Break-Up of Britain’, and ten since Linda Colley influentially explained that Britons were the product of particular historical conditions – conditions which have now disappeared. We have had the woe-is-England vapourings of ...”

“... seems not to be powerful. I hope this can be said without being taken as part of some (Tom) Pauline conspiracy of Irish bull merchants. It is not at first sight a ‘political’ problem, since one of the things that Dodsworth manages to do, very well, is to bring class and class questions back into Hamlet criticism. The play’s leading characters ...”

“... Swinging Sixties in London but also with the techie progressivism of the Labour Party under Harold Wilson. This imperative led Banham to his first polemic against Pevsner et al’s rationalist reading of Modernist architecture, which was doxa by the time Theory and Design in the First Machine Age appeared. According to Banham, the architects elevated to ...”

“... which has somehow got out of hand . . . A poverty of invention which is almost pathetic,’ Edmund Wilson wrote in 1956. ‘A combination of Wagner and Winnie-the-Pooh,’ the poet John Heath-Stubbs joshed at around the same time. ‘My nightmare,’ added Germaine Greer.The quite funny one-liners abound, but it’s much harder to find someone writing sensibly ...”

“... having made great work by such inartistic means. One is the naive artist: the Beach Boys’ Brian Wilson reputedly arranged his masterpiece, Pet Sounds, by sitting all day with a small orchestra and singing each instrumentalist his part. He’d have the ensemble perform, then he’d make alterations, listen again, and so forth, until the arrangement matched ...”

“... myself out to be pleasant, to which he barked amiably. Monday 18 June 1956: I’ve just finished Tom Driberg’s life of Max Beaverbrook ... the Duke of Windsor virtually half-witted from first to last (no surprise to me). Monday 19 January 1959: The Windsors’ party was very gay. She certainly is a most charming hostess and he was extremely amiable. The ...”