“... the cottage I had thought but a sizeable house with an extensive garden tended largely by Helena Wright, the pioneer of birth control with whom he shared the house, who was often knelt there working, planting out the beds, with her radio (a source of irritation to Bruce) always beside her. Brudenell House at Quainton, to which he subsequently moved, was more ...”

“... bikes and wavering golden beds of reeds. My instinct was to follow the example of Patrick Wright, whose television journey, The River: The Thames in Our Time (1999), starts on the open sea, with the offshore forts, before making landfall on the Isle of Grain. Ackroyd believes that ‘the source is the place of enchantment, where the boundary between ...”

“... In 1987, BT’s phone box monopoly ended. So began the conversion memorably described by Patrick Wright in A Journey through Ruins (1991), of the only remaining ‘public’ element of a now otherwise privately owned service into a (privately owned) heritage industry. Boxes began to come in different shapes and sizes. Respectable neighbourhoods could hope ...”

“... a return to the historic quartier as the basis of urban planning in Europe; on the other side were Robert Venturi, Denise Scott Brown and Steven Izenour, who embraced the commercial strip (‘billboards are almost all right,’ they proclaimed in 1972 in Learning from Las Vegas, a manifesto to which Delirious New York is an indirect riposte). Koolhaas could ...”

“... sources, more likely to cite Mao than Muhammad: in Afghanistan he was known for giving lectures on Robert Taber’s 1965 study of guerrilla movements, The War of the Flea, once a favourite of the IRA. Al-Suri, Lia writes, was ‘a dissident, a critic and an intellectual in an ideological current in which one would expect to find obedience rather than ...”

“... has recently been brilliantly treated in a collection of essays edited by Jenny Doctor, David Wright and Nicholas Kenyon.* In terms (for instance) of its performing space, the crucial dates were 1893 and 1941 (when the Queen’s Hall was destroyed and the concerts moved to the Albert Hall); in terms of sponsorship and organisation, the key years were 1927 ...”

“... that the drug could be crushed up, mixed with water and injected without much trouble. (Curtis Wright, the FDA examiner who approved Purdue’s drug application for OxyContin, began to work as a consultant for the company two years later.) In the late 1990s, the government also lifted advertising restrictions on pharmaceuticals. The amount of money spent ...”

“... dabs of kerosene light and the occasional brace of headlights showed a city was there at all. Robert, an Armenian PE teacher who had befriended me in the coupé, took me through the frosty murk of Yerevan’s central station and into a doorway. In an instant there was light, power, a swift transaction involving tokens, a set of escalators, and at their ...”

“... would be as different as land and sky. That evening, safe in his Bel Air rental (a Frank Lloyd Wright designed house previously owned by the shah of Iran), he said to Geller: ‘I don’t want to perform any more. I want to leave the world. Find me a monastery. I want to become a monk.’ But his ascetic mood soon passed (as every Elvis mood passed, each ...”

“... proposition that the body was nothing more than a complex system of measurable physical processes. Robert Koch’s Institute in Berlin was the epicentre for the bacteriological revolution – one pathogen, one disease and, we hope, one vaccine, one cure – which still dominates medical thinking. And so on. By the end of the 19th century the institutional ...”

“... milieu and the Parisian literary underground made familiar in the scholarly work of Robert Darnton. At a longer distance, the aim is to declare Gillray the blood brother of ‘tinkers, tailors, blacksmiths, cobblers’. The scratched and stippled surface of an abandoned Gillray sketch is said to show his ‘unusual attempt to increase the ...”

“... Depestre; the Cuban artist Wifredo Lam; the French poet Louis Aragon; the French photographer Robert Doisneau; the Russian-Mexican painter Vlady Rusakov and his father, Victor Serge, hero of the anti-Stalinist left. Several of her works are lost, including The Commune, Louise Michel and Us, a film she worked on in the early 1970s and ‘Guns for ...”

“... collaborators (which Camus supported) and the execution of fascist sympathisers such as the writer Robert Brasillach (which he opposed). With the start of the Cold War, the always precarious alliance between the communist and non-communist left was beginning to crumble. Camus was fretting, too, about his native Algeria, ‘pacified’ by the army after a ...”

“... and correspondence with his publisher, François Maspero. As the editors, Jean Khalfa and Robert Young, note, this body of writing – unfinished, restless, often agonised – reflects Fanon’s search for ‘freedom as dis-alienation’, itself a response to his experience of what Sartre called ‘extreme situations’: the battlefields of the Second ...”

“... and, duly beaming, produced a complete, pornographically-detailed scenario. According to Lawrence Wright, the author of Remembering Satan: Recovered Memory and the Shattering of a Family,1 Ingram had always been given to extremes. A disciplinarian to his children, fanatically thrifty, absorbed in his Church; over-zealous in his work, he handed out more ...”