How We Remember
Gilberto Perez: Terrence Malick, 12 September 2013
“... a winner, to lift yourself out of the group and leave all those losers behind. But unlike John Ford or Jean Renoir – whose Toni also tells a story of tragic love among migrant workers – Malick conveys scant sense of the group, the living relationships, concordant or discordant, that bind people together. Like the outlaw couple in Badlands, the ... ”