“... and passionate studies of economy, politics and culture by social historians as intelligent as John McEwen, John Foster and Ian Carter, writers as good as John McGrath and Tom Nairn, politicians as energetic as Robin Cook and Jim Sillars. To write for it felt like good militant fun (I ...”

“... to live somewhere built by Le Corbusier or Mies, or own an original piece of furniture by Eileen Gray or Marcel Breuer. But rummage around on eBay or visit a Mid-Century Modern fair, and you can buy an Ercol dresser, a Panton chair or a set of Eames coat hooks (I own these last two items myself).The part of London most closely identified with the high ...”

“... in a chapel full of nuns delicately made-up.’ The picturegoer remembers how she hated ‘the gray-faced nuns’ at her convent school. ‘The only difference between this movie and life was that here the public knew it was being deceived.’ She turns to her lover – ‘an ordinary man, less real than Lord Southsea’ – and hears him speak ‘Movie ...”

“... 1642, she recorded paying five shillings ‘for two leaps for my greate coatch mare, and my gray mare, of Mr Shewards & Mr Brabazon horses’. No great reader, Jeffreys’s most expensive purchase was the works of the Bishop of Exeter at thirty shillings, but usually she preferred secular books, especially Greek and Roman histories in translation. A ...”

“... in order to please his father: Rachmaninov’s Third. When one-armed piano teacher Cecil Parkes (John Gielgud) tells Helfgott that no one’s ever been ‘mad enough’ to attempt it in the Royal College of Music’s annual competition, the student replies: ‘Am I mad enough, Professor? Am I?’ Apparently so, because he has a nervous breakdown as soon as ...”

“... and impossibility – of watching yourself from the outside is what drives The Picture of Dorian Gray, or Frankenstein, or the films of David Lynch. To watch yourself from outside is, according to the textbook, to watch yourself as dead – and both Hall and his hero understand this all too well. Holed up in his flat, Eric Sanderson reads letter after letter ...”

“... Maybe it’s just me​, but the publication of John Updike’s selected letters, masterfully assembled and presented by James Schiff, doesn’t appear to have been the parade event that might have been expected. The reviews have been largely laudatory, marbled with tribute to Updike’s impeccable filigree, effortless versatility, unfaltering application and sleek plumage, but I don’t get the sense that the accolades have resonated beyond the baby boomer contingent of Updikeans who matured with the Rabbit Angstrom novels and counted on the continuing nourishment of his presence in the New Yorker ...”

“... Thomas’s death the family fractured. Frances ran away, abandoning the children to her parents, John and Alice Jennings. When she reappeared two months later it was to take over the lease on the Moorfields stables and transfer it to her new young husband, William Rawlings. Her parents watched as she drove their once prosperous business into the ...”

“... Dante, Michelangelo and Shakespeare did, as well as more recent experimenters such as Hopkins, John Berryman or the sub-Prynnean Tony Lopez. Donne and Hopkins used sonnets as vehicles for religious anguish because it’s so easy to suggest that they’re buckling under pressure, that the spirit will not run true to the form, or to God. The sonnet has a ...”

“... mostly American group made up by herself, Walter Berry, Howard Sturgis, Morton Fullerton, John Hugh Smith, Percy Lubbock and a few other initiates. She emphasises the man’s ‘quality of fun’, and her James is ‘the laughing, chaffing, jubilant yet malicious James’, not ‘the grave personage known to less intimate eyes’. Like the letters of ...”

“... the infinite; one’s eyes begin to hurt, to water, and colours on the palette converge towards gray mud.’ This insider’s knowledge, tainted with mediocrity, makes Updike more than charitable to third-rate illustrators and commercial artists of any stripe, yet less than generous to the great, to whom he brings some of the pernickety professional ...”

“... necessary to discard Augustan formality (Wordsworth used for odious comparison a sonnet in which Gray wrote that ‘reddening Phoebus lifts his golden fire’), so the rejection of a decayed Palgravian romanticism, and the stale or weakened language in which it found expression, were prerequisites of writing serious poems a century later. Eliot’s praise of ...”

“... flock of pigeons in Washington Square. He knows the birds by name: Big Bosom, Lady Astor, St John the Baptist, Polly Adler, Fiorello. He wanders from saloon to saloon cadging beers, sandwiches and cash. Most important, he adds to his work-in-progress, a mysterious book that he calls ‘The Oral History of Our Time’. This massive, encompassing volume, a ...”

“... his career as a naturalist: his father, and his scientific mentor, the Cambridge professor John Henslow. While Desmond and Moore’s style was colourful, punchy and occasionally melodramatic, liberally embellished with exclamation marks, the tone of Browne’s writing, though no less vivid, is often lightly ironic. She has Darwin showing off to Henslow ...”

“... She translated texts from English, German and French, by authors including Eduard Mörike, John Donne, Simone Weil and Proust, writers whose style she admired. She also championed Katherine Mansfield, Virginia Woolf and William Carlos Williams. She did some work for Italian radio and wrote a few prefaces, mostly for works by religious figures.One such ...”