“... and impossibility – of watching yourself from the outside is what drives The Picture of Dorian Gray, or Frankenstein, or the films of David Lynch. To watch yourself from outside is, according to the textbook, to watch yourself as dead – and both Hall and his hero understand this all too well. Holed up in his flat, Eric Sanderson reads letter after letter ...”

“... Thomas’s death the family fractured. Frances ran away, abandoning the children to her parents, John and Alice Jennings. When she reappeared two months later it was to take over the lease on the Moorfields stables and transfer it to her new young husband, William Rawlings. Her parents watched as she drove their once prosperous business into the ...”

“... mostly American group made up by herself, Walter Berry, Howard Sturgis, Morton Fullerton, John Hugh Smith, Percy Lubbock and a few other initiates. She emphasises the man’s ‘quality of fun’, and her James is ‘the laughing, chaffing, jubilant yet malicious James’, not ‘the grave personage known to less intimate eyes’. Like the letters of ...”

“... necessary to discard Augustan formality (Wordsworth used for odious comparison a sonnet in which Gray wrote that ‘reddening Phoebus lifts his golden fire’), so the rejection of a decayed Palgravian romanticism, and the stale or weakened language in which it found expression, were prerequisites of writing serious poems a century later. Eliot’s praise of ...”

“... the infinite; one’s eyes begin to hurt, to water, and colours on the palette converge towards gray mud.’ This insider’s knowledge, tainted with mediocrity, makes Updike more than charitable to third-rate illustrators and commercial artists of any stripe, yet less than generous to the great, to whom he brings some of the pernickety professional ...”

“... flock of pigeons in Washington Square. He knows the birds by name: Big Bosom, Lady Astor, St John the Baptist, Polly Adler, Fiorello. He wanders from saloon to saloon cadging beers, sandwiches and cash. Most important, he adds to his work-in-progress, a mysterious book that he calls ‘The Oral History of Our Time’. This massive, encompassing volume, a ...”

“... his career as a naturalist: his father, and his scientific mentor, the Cambridge professor John Henslow. While Desmond and Moore’s style was colourful, punchy and occasionally melodramatic, liberally embellished with exclamation marks, the tone of Browne’s writing, though no less vivid, is often lightly ironic. She has Darwin showing off to Henslow ...”

“... Dante, Michelangelo and Shakespeare did, as well as more recent experimenters such as Hopkins, John Berryman or the sub-Prynnean Tony Lopez. Donne and Hopkins used sonnets as vehicles for religious anguish because it’s so easy to suggest that they’re buckling under pressure, that the spirit will not run true to the form, or to God. The sonnet has a ...”

“... She translated texts from English, German and French, by authors including Eduard Mörike, John Donne, Simone Weil and Proust, writers whose style she admired. She also championed Katherine Mansfield, Virginia Woolf and William Carlos Williams. She did some work for Italian radio and wrote a few prefaces, mostly for works by religious figures.One such ...”

“... The pogrom in Limerick, which took place in 1904, was incited by the fiery preaching of Father John Creagh to the arch-confraternity: The Jews came to Limerick apparently the most miserable tribe imaginable ... but now they had enriched themselves and could boast of very considerable house property in the city. Their rags have been exchanged for ...”

“... the writer takes courage and fills in the name: ‘Wheeler’. From this, Gates has identified John Hill Wheeler, a lawyer, functionary, plantation owner and sometime member of the state legislature of North Carolina, who became briefly famous through a 1855 court case in which he attempted to regain possession of a fugitive slave called Jane ...”

“... to reinforce Leavis’s right to be called a major critic. To paraphrase Johnson’s remark on Gray and his ‘Elegy’, had he always written like this, it had been vain to blame, and useless to praise him. Critical commentary of this kind usually had its origin in the classroom. It was essential to Leavis’s project that he should be at the charismatic ...”

“... It is John Ashbery who takes the cake – in this case, the triple-decker cake with the solitary little sugar bride on top – for his description of Elizabeth Bishop: she is ‘the poets’ poets’ poet’. It sounds farcical, but it’s strictly true, and there’s as little getting round it as there is improving on it ...”

“... Russes dancer Tamara Karsavina; the photographer Berenice Abbott; modernist designer Eileen Gray; Jane Heap and Margaret Anderson, editors of the avant-garde literary magazine the Little Review; not to mention Colette, Gertrude Stein and Alice B. Toklas, Djuna Barnes, Romaine Brooks, Virginia Woolf, Janet Flanner, Vita Sackville-West, Greta ...”

“... for ‘When will my people be free?’‘For Scots with mixed [English and Scottish] parentage,’ John Lloyd wrote in the Financial Times in 2012, ‘a forced choice is uncomfortable. Should we, on the model of American blacks, claim “blackness” – or in this case Scottishness – as our dominant identity?’ Lloyd was not alone in feeling that his ...”