“... who weren’t writing serial music: American tonalists such as Copland, Virgil Thomson and Henry Cowell; or the radical wing represented by John Cage and Morton Feldman, which rejected both tendencies. He would encounter them when he went to New York to study at Juilliard in 1956, but again in the extra-curricular context of downtown alternative ...”

“... newer and even grander city, ‘which had no traditions but was making them’. As a character in Henry Blake Fuller’s novel The Cliff Dwellers admonishes, ‘Chicago is Chicago. It is the belief of us all. It is inevitable; nothing can stop us now.’ If the death and destruction wrought by the fire could be harnessed for a founding myth, the heatwave of ...”

“... is so much cut-and-paste soup. In the final article in this section the political scientist James Miller asks ‘Is Bad Writing Necessary?’ This is essentially a comparison of Orwell and Adorno as models of criticism, and you can guess who wins. But in fact no one does: the opposition serves neither, since the intellectual difficulty of Adorno is associated ...”

“... summers, it was the winters that had stuck in my mind. I’d found the perfect image: George Henry Boughton’s Pilgrims Going to Church (1867), a depiction of settlers in New Plymouth trudging through their first winter. Why the snow seemed important I’m not sure. Perhaps extreme cold, and unpreparedness for it, enhances the drama of history, pointing ...”

“... removal of history from literature to deboning a chicken’. She was taught to echo Henry James in The Tragic Muse: ‘The subject doesn’t matter, it’s the treatment, the treatment!’ This treatment was valued if it was ‘mature’, a word always on the lips of tutors and graduate assistants: mature art ‘rose above the passions of ...”

“... to Egypt in early 1967 that appeared last month in Al-Ahram Weekly. One was in a review of Bernard-Henry Lévy’s recent book on Sartre; the other was a review of the late Lotfi al-Kholi’s account of that visit (al-Kholi, a leading intellectual, was one of Sartre’s Egyptian hosts). My own rather forlorn experience with Sartre was a very minor episode in a ...”

“... ambiguity, because it confounds moral life with doctrine or dogma. We need only the reminder of Henry James, who, while cautioning against any ‘moral restrictions set upon the field of consciousness’, affirmed the moral character of art: ‘to count out the moral element in one’s appreciation of an artistic total is exactly as sane as it would be (if ...”

“... sovereignty which in any case Calvin never wanted for it. Alastair Duke on the Netherlands, Henry Cohn on Germany, Robert Evans on Eastern Europe, Patrick Collinson on England are all as alive to the limits as to the extent of Calvin’s influence on churches which drew eclectically from a range of Protestant and Humanist thought both native and ...”

“... George Robey, Harry Lauder, Dan Leno and Vesta Tilley rubbed shoulders with the likes of Sir Henry Wood, Sarah Bernhardt and the Ballets Russes. Dickens was fascinated by the performing style of Charles Mathews, a blacked-up minstrel, and put it to use in his own public readings, though without the burned cork. T.S. Eliot revered Marie Lloyd, and the ...”

“... poetic sequence Modern Love, when she traumatised Meredith by leaving him for their artist friend Henry Wallis). Jane died in 1851, and Peacock’s record as a widower confirms the sense of desperation. The following year – emboldened at this point in his career by financial security – he proposed marriage to Claire Clairmont’s niece, a 27-year-old ...”

“... and industry, Conjectures of Order can be ranked with another vast work of American history: Perry Miller’s two-volume study The New England Mind. Miller’s hope for that book was similar to O’Brien’s: he sought to recover the Puritans from the dismissive views of his contemporaries, who had been inclined to see ...”

“... It takes a great deal of history to produce a little literature.             Henry James, Life of Hawthorne But, first of all, is there a history of silence?    Jacques Derrida, Writing and Difference Literary history? Can there still be people who believe in it – or them: literature, history, literary history? Are not all texts on the same level, just texts? Is history not something synchronic, merely a different way of talking about language? The views implied by these rhetorical questions seem wrong to many people, myself included ...”

“... series of what may be formally Shakespeare’s own invention, the English History Plays, work in Henry IV, I and II to a climax that could be subtitled ‘Fathers and Sons’. Implicit in these Histories from the first is a tragic potential: the weak Henry VI must observe the effect of his weakness, a son who has killed ...”

“... books and papers so that it can be used for the filming.I first saw the house in 1968. Jonathan Miller lives in the same street and Rachel, his wife, saw the ‘For Sale’ sign go up. It belonged to an American woman who kept parrots and there were perches in the downstairs room and also in its small garden. Slightly older than the other houses in the ...”

“... version of MacDiarmid’s pastures to work at the London Review of Books, the editor, Karl Miller, had a powerful sense of what connected literature to the land, and even the urban writers he liked – Kingsley Amis, for instance – were filled with a sense of hinterland, or winterland, of childhood places and beginnings. Many powerful writers, in ...”