Glasgow über Alles

Julian Loose, 8 July 1993

Swing Hammer Swing! 
by Jeff Torrington.
Secker, 416 pp., £8.99, August 1992, 0 436 53120 8
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Looking for the Possible Dance 
by A.L. Kennedy.
Secker, 254 pp., £7.99, February 1993, 0 436 23321 5
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The Lights Below 
by Carl MacDougall.
Secker, 254 pp., £7.99, February 1993, 9780436270796
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... scene after another, exhibiting that scepticism towards conventional representation that Jenny Turner has suggested is a special feature of contemporary West of Scotland writing. The irony is that as Tom’s escapades become progressively entangled, so he falls victim to his own residual belief in plots and schemes. Death and destruction seem to dog his ...

Opprobrious Epithets

Katrina Navickas: The Peterloo Massacre, 20 December 2018

Peterloo: The Story of the Manchester Massacre 
by Jacqueline Riding.
Head of Zeus, 386 pp., £25, October 2018, 978 1 78669 583 3
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... by armed cavalry resulting in 15 deaths and over 600 injuries.’ A stone memorial designed by the Turner Prize winner Jeremy Deller has been commissioned as part of an extensive programme of lottery-funded commemorations to mark next year’s bicentenary. Questions remain about the build-up to 16 August and who was at fault that day. Donald Read’s ...

Look me in the eye

James Hall: Self-portraiture, 25 January 2001

The Artist's Body 
edited by Tracey Warr and Amelia Jones.
Phaidon, 304 pp., £39.95, July 2000, 0 7148 3502 1
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Five Hundred Self-Portraits 
edited by Julian Bell.
Phaidon, 528 pp., £19.95, November 2000, 0 7148 3959 0
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Renaissance Self-Portraiture 
by Joanna Woods-Marsden.
Yale, 285 pp., £45, October 1998, 0 300 07596 0
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... installations and performances constitute a lurid confessional – had been shortlisted for the Turner Prize. The postwar upsurge in self-portraiture is amply documented in Tracey Warr and Amelia Jones’s anthology of texts and images, The Artist’s Body. The serial stuff-strutters include the photo-artists Gilbert & ...

Bigger Peaches

Rosemary Hill: Haydon, 22 February 2001

The Immortal Dinner: A Famous Evening of Genius and Laughter in Literary London, 1817 
by Penelope Hughes-Hallett.
Viking, 336 pp., £15.99, September 2000, 0 670 87999 1
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... as Townley’s marbles were passing into public ownership. Payne Knight’s would soon follow. Sir George Beaumont, patron of Wordsworth and, until they fell out, Haydon, gave his paintings to the new National Gallery in his lifetime. As museums grew and took over from cabinets of curiosities they brought with them the organising systems of curatorship that we ...

Tang and Tone

Stephen Fender: The Federal Writer’s Project’s American epic, 18 March 2004

Portrait of America: A Cultural History of the Federal Writers’ Project 
by Jerrold Hirsch.
North Carolina, 293 pp., £16.50, November 2003, 0 8078 5489 1
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... that way. Apparently a believer in the notorious ‘thesis’ of the historian Frederick Jackson Turner, Dies thought that America had been created by a heroic race of Anglo-Saxon explorers and settlers toughened by their conflicts with the natives on the frontier. To speak of the contribution made by labour unions and the importance of ‘ethnic ...

Lace the air with LSD

Mike Jay: Brain Warfare, 4 February 2021

Poisoner in Chief: Sidney Gottlieb and the CIA Search for Mind Control 
by Stephen Kinzer.
Henry Holt, 384 pp., £11.99, November 2020, 978 1 250 76262 7
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... and bills of sale, Marks and his team of researchers unearthed some unexpected gems. The diary of George Hunter White, a dead Federal Bureau of Narcotics agent, was particularly startling. White had worked as Gottlieb’s fixer in the underworlds of New York and San Francisco, conducting drug experiments on unknowing subjects in brothels or at parties he held ...

Father-Daughter Problems

Michael Dobson: Shakespeare’s Bad Daughters, 8 May 2008

The Lodger: Shakespeare in Silver Street 
by Charles Nicholl.
Allen Lane, 378 pp., £20, November 2007, 978 0 7139 9890 0
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... study of a Renaissance playwright, The Reckoning: The Murder of Christopher Marlowe, such a page-turner – a book about the Mountjoys will have to do. But is there really a whole book to be made out of this tiny overlap between the life of our greatest playwright and the domestic squabbles of a family of French expatriate head-dressers? The Belott-Mountjoy ...

Bourgeois Reveries

Julian Bell: Farmer Eliot, 3 February 2011

Romantic Moderns: English Writers, Artists and the Imagination from Virginia Woolf to John Piper 
by Alexandra Harris.
Thames and Hudson, 320 pp., £19.95, October 2010, 978 0 500 25171 3
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... himself. Abstract art couldn’t deliver a symbolic charge to match that of Constable or Turner, he complained in 1936. He summarised his change of heart a year later in an essay tellingly entitled ‘Lost, a Valuable Object’. ‘It will be a good thing to get back to the tree in the field that everyone is working for … Get back to it as fact, as ...

Leave me my illusions

Nicholas Penny: Antiquarianism, 29 July 2021

Time’s Witness: History in the Age of Romanticism 
by Rosemary Hill.
Allen Lane, 390 pp., £25, June, 978 1 84614 312 0
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... and authority. Among the incisively captioned illustrations is David Wilkie’s painting of George IV in Highland dress – the outfit he wore for his entry into Edinburgh in 1822 (an event that was stage-managed by Scott) – opposite the playbill for a production in 1823 of Shakespeare’s King John at the Theatre Royal, which boasted an ‘Attention ...

Into the Gulf

Rosemary Hill, 17 December 1992

A Sultry Month: Scenes of London Literary Life in 1846 
by Alethea Hayter.
Robin Clark, 224 pp., £6.95, June 1992, 0 86072 146 9
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Painting and the Politics of Culture: New Essays on British Art 1700-1850 
edited by John Barrell.
Oxford, 301 pp., £35, June 1992, 9780198173922
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London: World City 1800-1840 
edited by Celina Fox.
Yale, 624 pp., £45, September 1992, 0 300 05284 7
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... different angles on many of the same issues and individuals. Haydon is there, at the Coronation of George IV, a figure in the crowd, describing the ‘silken roar’ as it rose. The Carlyles trail glumly through the chapter on building, hunting for a suitable house. With the exception of a disappointing essay on the theatre the accounts interconnect and ...

Who framed Madame Moitessier?

Nicholas Penny, 9 April 1992

Metropolitan Jewellery 
by Sophie McConnell.
Metropolitan Museum of Art/Bulfinch, 111 pp., £17.99, November 1991, 0 8212 1877 8
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Italian Renaissance Frames 
by Timothy Newbery, George Bisacca and Laurence Kanter.
Metropolitan Museum of Art, 111 pp., £25, May 1991, 0 8109 3455 8
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The Italian Renaissance Interior 1400-1600 
by Peter Thornton.
Weidenfeld, 407 pp., £65, October 1991, 0 297 83006 6
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Palaces of Art 
edited by Giles Waterfield.
Dulwich Picture Gallery, 188 pp., £20, December 1991, 0 9501564 5 0
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... experience of hanging paintings will know how the depth in a landscape – the spatial effects of Turner or Koninck – is completely altered once the horizon line is above eye level. The difference to a painting when its frame is changed or even when it is given new partners on the wall is no less extraordinary. It is inconceivable that an intelligent ...

Palmers Greenery

Susannah Clapp, 19 December 1985

Stevie 
by Jack Barbera and William McBrien.
Heinemann, 378 pp., £15, November 1985, 0 434 44105 8
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... and translations: a frog may become a prince, a typist gets sucked into the seascape of a Turner canvas in her lunch-hour. But what gives her verse its distinctive ring is her way of putting together the humdrum and the elevated in situation and vocabulary. In her poems large events happen to, or inside, people with names like patent medicines; slang ...

Façades

Peter Burke, 19 November 1981

The Building of Renaissance Florence: An Economic and Social History 
by Richard Goldthwaite.
Johns Hopkins, 459 pp., £16.50, April 1981, 0 8018 2342 0
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Public Life in Renaissance Florence 
by Richard Trexler.
Academic Press, 591 pp., £29.80, March 1981, 0 12 699550 8
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Civic Ritual in Renaissance Venice 
by Edward Muir.
Princeton, 356 pp., £10.80, August 1981, 0 691 05325 1
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Venice: The Greatness and the Fall 
by John Julius Norwich.
Allen Lane, 400 pp., £12, September 1981, 0 7139 1409 2
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Ruskin and Venice 
edited by Jeanne Clegg.
Junction, 233 pp., £10.50, September 1981, 0 86245 019 5
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The Stones of Venice 
by John Ruskin and Jan Morris.
Faber, 239 pp., £12.50, September 1981, 0 571 11815 1
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... Like Trexler, he has been inspired by the approach to ritual of such anthropologists as Victor Turner and Clifford Geertz, and in any case he knows Trexler’s work. He, too, is interested in the Kremlinologists’ questions: ‘How far out in the lagoon must the senators (and how many senators) go to greet an arriving guest? Should the doge take off his ...

Music Hall Lady Detectives

Ysenda Maxtone Graham, 22 May 2025

Story of a Murder: The Wives, the Mistress and Dr Crippen 
by Hallie Rubenhold.
Doubleday, 496 pp., £25, March, 978 0 85752 731 8
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... was brought up by his paternal grandparents, while Crippen ‘turned his sights east’. Cora Turner, born Kunegunde Mackamotzki, and later to restyle herself as Belle Elmore, was the daughter of a hard-up German immigrant family in Brooklyn. She had an (illegal) abortion, aged eighteen, after her domestic employer got her pregnant. Dr ...

Lucian Freud

Nicholas Penny, 31 March 1988

... not only in the Wasteground but also in Freud’s painting of studio rags. It has its own life. Turner was a great painter of litter: the people in some of his foregrounds are a sort of litter, and so are the odd still-lifes he disposed there (it is a feature that Ruskin attributed to a child hood spent near Covent Garden). Freud has discerned this in his ...