“... as a critic. Agee was not interested in teaching his audience, as Shaw and Mencken and Edmund Wilson were interested, and as his colleagues at the Nation Clement Greenberg and B.H. Haggin were. He does not drive home an argument and avoids underlining the implications of a perception. Rather, he will broadly sketch a chosen compliment, travesty, explosive ...”

“... In January 1945, as she was preparing her collection North & South for publication, Elizabeth Bishop wrote to her publishers to say she was worried that she had written nothing about the war: The fact that none of these poems deal directly with the war, at a time when so much war poetry is being published, will, I am afraid, leave me open to reproach ...”

“... Both had married young to older intellectual powerhouse grumps – McCarthy to Edmund Wilson, who locked her in a room to force her to write, Sontag to Philip Rieff, the sociologist she met as a student at 17 and with whom she later co-authored Freud: The Mind of the Moralist – and Sontag took over McCarthy’s old lemonade stand as Partisan ...”

“... sets, finessed by fashionable architects, are like parodies of facilities promised for the Queen Elizabeth Olympic Park. And nobody but the owners can get at them. What could be more empowering than to sit looking at an immaculate rectangle of water, a three-dimensional David Hockney which will never be disturbed by a thrashing alien presence? Neighbours ...”

“... as a revelation by some of the leading figures in the field – David Treuer, Claudio Saunt, Elizabeth Fenn, Elliott West – and its depiction of a pumped-up period of Indigenous control has achieved far greater commercial success than the milder revisionism in favour of Native agency of Kathleen DuVal’s The Native Ground (2006) and Michael Witgen’s ...”