“... and friend. There are at least two reasons for this. The story has often been told, notably by David Cannadine, of how the long agricultural depression broke the power of the British aristocracy, but it also drove tenant famers and labourers off the land and into the cities and suburbs; a million or more had emigrated by 1914. As a legacy of this flight ...”

“... of his notebooks and letters claims, the ideal commentator on Picasso’s goings-on, a Saint-Simon at the court of Picasso. Penrose set off in 1922 on Roger Fry’s advice, to study art with André Lhote, and fell in love with Paris, with French art and with the poet Valentine Boué, whom he met in Cassis. He had a villa there from 1923, set up a studio ...”

“... alumni of the Slade: Paul and John Nash, C.R.W. Nevinson, Edward Wadsworth, William Roberts and David Bomberg. They were all influenced, directly or indirectly, by Fry’s Post-Impressionist exhibition of 1910, which introduced the British to Continental art, especially Cézanne, but they were able to develop their own work with an originality that weaker ...”

“... In a recent radio programme, Simon Armitage and Glyn Maxwell, two of the most prominent of the New Generation poets, retraced the journey undertaken by Auden and MacNeice in Letters From Iceland – a sign of the renewed interest which younger poets are showing in the poetry of the Thirties. Although Yeats and Eliot were publishing some of their greatest poems during the Thirties, it was Auden who created the style which most of his contemporaries sought to imitate, and it is Auden, more than Yeats or Eliot, who is influencing younger poets today ...”

“... think this was bad for their music, though a few hold the contrary. Now comes the shocker from Simon Morrison, a Princeton musicologist: Prokofiev wanted to write simple, life-affirming music because he was a Christian Scientist. Sergei Prokofiev, born in 1891 and schooled in St Petersburg, left Russia in 1918 after graduating from the Conservatory. In the ...”

“... techniques in casting, forging, firing and finishing, and then cross-examining artisans such as Simon the Shoemaker, whom he admired as a storehouse of practical wisdom. Subsequent artists invoked Hephaestus to glorify their labours – see the inscription ‘Ab Olympo’ in the courtyard of Andrea Mantegna’s house in ...”

“... aunt. The most important effect was to create a very close bond between Christina and her father, David; but then David Stead remarried. There was a stepmother, and soon a brood of half-brothers and sisters, which grew to number five. Christina felt the gap open between her and the man who had been mother and father; and at ...”

“... a verdict of unlawful killing, which made possible the criminal prosecution for manslaughter of PC Simon Harwood. (He was acquitted.) The finding of death by misadventure in Peach’s case made any prosecution impossible, despite there being a strong argument for a second inquest. The High Court can order one, as it did recently on the Hillsborough ...”

“... Emily Brontë poems. Fred was even worse: in 1913 he wrote three novels in eight months – David Blaize, The Freaks of Mayfair and Mike. In the last three years of his life he managed eight books. Of his ‘masterpiece’ As We Were (1932), his modern biographer observes deadpan: ‘Significantly, the manuscript demonstrates that Fred took greater care ...”

“... which, though emotionally logical, I doubt you would guess (and which I shan’t give away). Simon Leys, that wise Belgian Sinologist, critic and novelist, rightly notes, in The Hall of Uselessness, Simenon’s ability to achieve ‘unforgettable effects by ordinary means. His language is poor and bare (like the language of the unconscious) … It would ...”

“... Simon​ de Pury, assisted by ‘a regular contributor to Vanity Fair’, has written a book about his ascent to the top of the art world: the auctions he conducted, the deals he struck, the parties he attended. It resembles a board game, with smaller parts assigned to the ‘hedge fund overlord’, the ‘polo-playing playboy millionaire’, the ‘James Bond of the Russian oligarchy’, the ‘French luxury goods tycoon’ (also appearing as the ‘French luxury titan’), the ‘serial dater of supermodels’, and the ‘leveraged-buyout king ...”

“... Hattersley). And it is true that a fighting politics seethes in poets like Sean O’Brien and Simon Armitage. One feels, however, that the best and most interesting poets in this large anthology are not the writers that fit inside the editorial fist. For instance, the introduction makes much of the ballad-writers like Paul Durcan and Geoff Hattersley, and ...”

“... by gassing, starvation and lethal injection to their doctors’ ‘aristocratic’ values. David Blackbourn took the lead in dismantling this paradigm. With Geoff Eley, he wrote The Peculiarities of German History: Bourgeois Society and Politics in 19th-Century Germany (1984), which attacked the new orthodoxy on a number of fronts. Blackbourn’s main ...”

“... the 1950s and 1960s, when their influence was obvious. Several publishing houses (Farrar, Straus, Simon & Schuster, Knopf) were run by Jews and talk of conspiracy became commonplace. In The Literary Mafia: Jews, Publishing and Postwar American Literature (2022), Josh Lambert reports that Jack Kerouac, who managed to publish thirteen books in his short ...”

“... publication in New York; the great Hebrew literary journal, Ha-Shiloah, was launched in Odessa; Simon Dubnov formulated his theory of Jewish Diaspora autonomism in the first of his Letters on Old and New Judaism; and Freud (already writing The Interpretation of Dreams) joined the Bnai Brith chapter in Vienna. The second half of Harshav’s book is devoted ...”