The LRB Podcast

Forrest Hylton talks to Thomas Jones about what's going on in Brazil.

Erin Maglaque talks to Thomas Jones about abortion in 16th-century Italy, the stories of women who experienced it, how it was investigated, and why attitudes to pregnancy 400 years ago were in some ways preferable to those now.

Colin Burrow talks to Thomas Jones about the work of Ursula Le Guin.

Hazel Carby talks to Adam Shatz about her review of a recent book by Isabel Wilkerson, Caste.

James Wood talks to Thomas Jones about Beethoven.

Rupert Beale talks to Thomas Jones about the new Sars-CoV-2 vaccines, how the mRNA technology works, why social distancing still matters, and why he’s worried about Christmas. (The conversation was recorded before the publication of the AstraZeneca/Oxford trial data.)

Ange Mlinko talks to Joanne O’Leary about the work of Denise Riley, following the publication last year of Riley’s Selected Poems: 1976-2016 and her essay Time Lived, without Its Flow. They look in particular at Riley’s celebrated poem ‘A Part Song’, a long elegy for her adult son, Jacob, who died from undiagnosed cardiomyopathy in 2008.

Seamus Perry and Mark Ford discuss the life and work of Louis MacNeice, the Irish poet of psychic divisions and authoritative fretfulness.

Pooja Bhatia talks to Thomas Jones about the Haitian revolution of 1791, the world-historical debut of the movement for Black liberation.

Adam Shatz talks to Randall Kennedy and Mike Davis about the results of the US elections.

Patricia Lockwood talks to Joanne O’Leary about how she became possessed by Vladimir Nabokov, what it’s like to read Lolita as a teenage girl, the diagnostic value of Bend Sinister, and her anxiety about writing after having Covid-19.

Adam Shatz talks to Mike Davis about some of the underlying and long-term political shifts at play in next week’s US elections.

Alex Abramovich talks to Thomas Jones about the history of country from Jimmie Rodgers to Lil Nas X, by way of Dolly Parton (and Eddie Van Halen), and the problems with the labels that get applied to American vernacular music.

Benjamin Markovits talks to David Runciman about Michael Jordan, home advantage, how basketball has tackled racial inequality, the difference between writing about sport in fiction and non-fiction, and why it turns out that players really are sometimes hot and sometimes not.

Emily Wilson talks to Thomas Jones about three new translations of the Oresteia. They discuss what the texts of the tragedies may tell us about the state of democracy in fifth-century Athens, the difficulties of Aeschylus’ language, why Hamilton may be the best modern analogue to Ancient Greek drama, and how Wilson came to do her own translation of the Odyssey.