Victor Mallet

There is something absurd about the sight of a soldier in battle kit chasing a plump schoolgirl down a shopping street, he with his gun and she with her satchel. This time he holds his fire and she escapes. From an alleyway her friends feebly lob stones towards the troops and jeer at them before running away. The soldiers order the shopkeepers to clear away a barricade hurriedly assembled by young protesters. Teargas lingers in the air, but the incident is over. It is a typical day in Gaza, except that no one appears to have been killed or injured in the confrontation between the over-equipped Israeli Army of occupation and the Palestinians who want to drive it out with stones and petrol bombs.

It is difficult to say whether the Eighties will come to be seen as a decade in which the world was unusually obsessed with money, or merely guilt-ridden about the idea of such an obsession. Certainly television has transported the very hungry and the exceptionally greedy into our living-rooms. Both extremes have turned out to be subjects of morbid fascination: on the one hand the nameless, starving children of Ethiopia, on the other the wheeler-dealers of the international markets, the Michael Milkens and their hundred million dollar salaries.

In Angola, where the local currency is all but worthless, people use cans of imported beer as a means of exchange: a very heavy sort of money, but at least you can buy bananas and fish with it. In Zambia, some people pour a little beer onto the ground in the doorways of their huts to placate the ancestors. The supplicant says: ‘Be cool, as water is cool. Do not trouble the children. Let us all prosper. Here is your beer.’