Tobias Gregory

Tobias Gregory teaches English at the Catholic University of America in Washington DC. He is the author of From Many Gods to One: Divine Action in Renaissance Epic.

They rudely stare about: Thomas Browne

Tobias Gregory, 4 July 2013

It is still often proposed that religion and science need not conflict. Stephen Jay Gould held that they occupy ‘non-overlapping magisteria’: science deals with questions of fact, religion with questions of value and meaning. This is wishful thinking, because religions base themselves on factual claims. The god Yahweh promised the land of Canaan to Abraham and his descendants;...

Runagately Rogue: Puritans and Others

Tobias Gregory, 25 August 2011

There is plenty of evidence about the religious beliefs of the ‘plain man’ in early modern England, but it tells us more about the devout and the learned than it does about the lukewarm, the ignorant, the sceptical, or those who muddled through. We know a lot about godly ministers, in their own words and in those of their detractors; we know less about their parishioners. We know...

Mad for Love: ‘Orlando Furioso’

Tobias Gregory, 9 September 2010

Although Orlando Furioso has comic elements, it is not a comic poem. It is a chivalric romance which incorporates traditional matter – duels, jousts, quests, amorous adventures, damsels in distress, Christians v. Saracens, monsters, magic – as well as Virgilian episodes, bawdy tales, metafictional gestures, a running debate about female virtue, wry commentary on the follies of...

Auden remarked that to read pornography in any other way than as a sexual stimulus is to be bored to tears. Crime fiction is similar: you read it for the story, and literary pretensions are unwelcome. The right style is spare, understated. You don’t want philosophy, psychology, political reflections, purple passages or digressions on the Battle of Waterloo. You don’t want displays...

Hero as Hero: Milton’s Terrorist

Tobias Gregory, 6 March 2008

Milton is the greatest English poet whom it is possible for serious readers to dislike. There are no fans of Marlowe, Jonson or Webster who cannot also find pleasure in Shakespeare; there are no admirers of Piers Plowman or Sir Gawain and the Green Knight who cannot also appreciate The Canterbury Tales. But it is not hard to find enthusiastic readers of Marvell or Spenser or Dryden or Donne...

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