Thomas Jones

Thomas Jones edits the LRB blog and presents the paper’s podcast. He has been writing for the LRB since 1999, when he was an editorial assistant. Many of his pieces have been Short Cuts. Most of the others have been on contemporary fiction, though he has also written on Romantic poetry, the ancient Greeks and Romans, the climate crisis and Italian politics. He has lived in Italy since 2006. Game Theory, a novel, was published in 2018.

Short Cuts: Politicians and the Press

Thomas Jones, 26 January 2006

The late Gardner Botsford was for almost four decades – from 1942 till 1982, with a couple of years off fighting the Nazis – an editor at the New Yorker. Among the many good things in his elegant and enjoyable memoir, A Life of Privilege, Mostly (Granta, £12.99), are ‘a few observations on how fiction should be handled’ by Wolcott Gibbs, who, before he became the

The official euphemism for it sounds like the title of a Tom Clancy thriller, or a straight-to-video 1980s action movie starring Chuck Norris. The practice itself sounds like something that might go on, or be rumoured to go on, through the course of a novel by Don DeLillo. But there is no doubt that it does happen, despite the cagey denials and qualifications of the British and American...

Short Cuts: Is it just me?

Thomas Jones, 1 December 2005

One of the better regular sketches on Spoons, the latest moderately funny formulaic comedy show to be broadcast by Channel 4 on Friday nights, involves a man reciting a remarkably long list of all the things that he hopes the people he’s with aren’t going to talk about. I’ve only seen it a couple of times, so I can’t be sure – and it’s possible that the...

Our Little Duckie: Margaret Atwood

Thomas Jones, 17 November 2005

Margaret Atwood’s new novel is a reworking of the Odyssey, told largely from Penelope’s point of view. The Penelopiad is presented by its publisher as a retelling of a myth, but it isn’t quite that. The story of Odysseus’ return home from the Trojan War would qualify as a myth, but the Odyssey does not, if a myth is a story that doesn’t depend for its resonance...

Short Cuts: ‘The Constant Gardener’

Thomas Jones, 3 November 2005

‘An artist is a bloke who can hold two fundamentally opposing views and still function: who dreamed that one up?’ Roy Bland asks George Smiley in Tinker Tailor Soldier Spy (1974). ‘Scott Fitzgerald,’ Smiley replies. The aphorism, or at any rate Bland’s paraphrase, applies just as well to a double-agent. Or to any spy: Smiley and his kind perpetrate all sorts of...

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