Thomas Jones

Thomas Jones edits the LRB blog and presents the paper’s podcast. He has been writing for the LRB since 1999, when he was an editorial assistant. Many of his pieces have been Short Cuts. Most of the others have been on contemporary fiction, though he has also written on Romantic poetry, the ancient Greeks and Romans, the climate crisis and Italian politics. He has lived in Italy since 2006. Game Theory, a novel, was published in 2018.

From The Blog
23 February 2010

With the obvious exception of Baltimore, the most fashionable American city in which to set a cop show with a twist lately seems to be Miami. Perhaps Michael Mann's big screen remake of Miami Vice has something to do with it. The same year that movie came out, the first season of Dexter went on the air. The eponymous hero (played by Michael C. Hall) is a forensics expert with the Miami PD. In his spare time he kills murderers who've escaped more regular forms of justice. He thinks of himself as a serial killer, and that's the show's ostensible conceit: Our hero's a serial killer! But, that aside, he's a nice guy! It's a bit more cunning than that, though,

From The Blog
11 February 2010

John Lanchester will be at the London Review Bookshop this evening, talking about his new book on the financial crisis, Whoops! Why Everyone Owes Everyone and No One Can Pay.

From The Blog
4 February 2010

America's Fox TV network has an irritating habit of cancelling half-decent science fiction shows after only one or two seasons. The network seems especially to enjoy junking series made by Joss Whedon, who as a result is still most famous for creating Buffy the Vampire Slayer. Buffy ran from 1996 to 2003 but should have been cancelled sooner: the last season and a half were rubbish. The latest Whedon venture to have bitten the dust is Dollhouse, about a sinister, top-secret company that is able to erase and replace its employees' memories, effectively turning them into different people every day. It then hires these 'dolls' out to its rich and secretive clients. The show was often as daft as this bald summary makes it sound, but quite a lot of the daftness was the network's fault, demanding that it appeal to what Fox executives imagined to be the lowest common denominator. And when it was good, Dollhouse was – nearly – very very good.

From The Blog
28 January 2010

John Burnside will be at the London Review Bookshop this evening, talking about his new memoir, Waking up in Toytown.

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