Thomas Jones edits the LRB blog and presents the paper’s podcast. He has been writing for the LRB since 1999, when he was an editorial assistant. Many of his pieces have been Short Cuts. Most of the others have been on contemporary fiction, though he has also written on Romantic poetry, the ancient Greeks and Romans, the climate crisis and Italian politics. He has lived in Italy since 2006. Game Theory, a novel, was published in 2018.
In 1982, when James Joyce, had he lived, would have turned a hundred, William Empson wrote a piece for the London Review of Books on ’the ultimate novel‘, which begins with some backhanded praise for Hugh Kenner – ‘it is wonderful how Professor Kenner can keep on about Ulysses, always interesting and relevant and hardly repeating himself at all’ – and then almost immediately takes issue with a ‘new idea’ of Kenner’s that ‘urgently needs refuting’. According to Kenner, Stephen Dedalus ‘is practically blind all through the book’; Empson demonstrates not only how that can’t be true, but also how Kenner came to fall into error. ‘The explanation is simple,’ Empson writes. But ‘this is not quite the end of it …’
The bespoke recording apparatus that Milman Parry took to Yugoslavia in the summer of 1935 – manufactured by Sound Specialties Inc of Waterbury, Connecticut, it had two turntables and a toggle for switching instantaneously between them – got me wondering about the history of such devices. Parry used his equipment for recording rather than playback, but it’s the same principle that later allowed generations of DJs to keep a dancefloor grooving indefinitely.
The illiterate performers who recited or sang epic poems in Ancient Greece did not learn them by rote. (Boris Johnson’s botched renditions of the Iliad are a double failure: failing to learn it by rote and trying to learn it in the first place.) Rather, a poet would improvise his song using formulaic words and phrases. Every performance was in some sense a new composition, but also a seamless continuation of the tradition.
Ed Harriman, who has died at the age of 77, wrote half a dozen pieces for the London Review between 2004 and 2007, reporting on the waste and corruption that followed the US-led invasion of Iraq. An award-winning documentary film-maker as well as a print journalist, who had worked for Granada TV’s World in Action during the 1980s and Channel 4’s Dispatches since 1991, he went to the Middle East in 2003 to make Secrets of the Iraq War for ITV. His previous films included investigations of ethnic cleansing in Bosnia, of the mismanagement of nuclear waste by both the US and Russia, the handover of Hong Kong, and new houses in Britain built on contaminated land.
‘Anti-communist dandy, scourge of Ivy League administrators, magazine chieftain, amanuensis to Joe McCarthy, father-confessor of the Nixon White House, Ronald Reagan consigliere: is it any wonder...
‘Is it a bubble?’ John Lanchester asked in a recent LRB of the colossal amounts of money pouring into AI firms. ‘Of course it’s a bubble. The salient questions are how we got here, and what happens...
In ‘The Man Behind the Curtain’, a bonus Close Readings series for 2026, Tom McCarthy and Thomas Jones examine great novels in terms of the systems and infrastructures at work in them. For their first...
Colin Burrow and Clare Bucknell join Tom to consider why Dickens’s dark tale has remained a Christmas staple.
Since the 1980s, Brett Christophers wrote recently in the LRB, ‘firms have made vast amounts of money by sending the rich world’s waste to the global South’ – hazardous waste at first, joined...
Between the 1960s and the turn of the century, an astonishingly large number of serial killers operated or grew up in America’s Pacific Northwest. Caroline Fraser’s book Murderland, reviewed in the LRB by...
One of the difficulties in thinking about extinction, as Lorraine Daston argued in her recent review of Vanished by Sadiah Qureshi, is ‘the challenge of scale: the mismatch between our decades and centuries...
‘The Church needs to change; the Church cannot afford to change,’ Colm Tóibín wrote recently in the LRB. In this episode of the podcast, he joins Tom to discuss how the new pope will have to...
As J.P. Morgan's personal librarian, Belle da Costa Greene could ‘spend more money in an afternoon than any other young woman of 26’, as the New York Times put it in 1912, following her successful...
Donald Trump recently announced a defence budget of more than one trillion dollars, much of which will be funnelled to private companies – and increasingly to tech firms such as Space X and Palantir....
Marguerite Yourcenar entered the Académie Française in 1981, the first woman to be admitted. Her novel Memoirs of Hadrian, published thirty years earlier, is ‘often considered the best French novel...
On one level, Mansfield Park is a fairytale transposed to the 19th century: Fanny Price is the archetypal poor relation who, through her virtuousness, wins a wealthy husband. But Jane Austen’s 1814 novel...
In this episode of the LRB podcast, Neal Ascherson talks to Thomas Jones about his recent piece on the journalist Claud Cockburn and about his own life and career, from his time as propaganda secretary...
Richard Seymour joins Tom to survey David Graeber's work, from the theories of power he developed from his early field research in Madagascar to the daring arguments of his posthumous work, Dawn of Everything...
‘OK, that’s that. It’s over now,’ Björn Ulvaeus thought after Abba broke up in 1982. ‘But,’ as Chal Ravens writes in the latest LRB, ‘Björn’s zeitgeist detector was, as usual, on the...
Ronald Reagan, as Jackson Lears wrote recently in the LRB, was a ‘telegenic demagogue’ whose ‘emotional appeal was built on white people’s racism’. His presidency left the United States a far...
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