Thomas Jones

Thomas Jones edits the LRB blog and presents the paper’s podcast. He has been writing for the LRB since 1999, when he was an editorial assistant. Many of his pieces have been Short Cuts. Most of the others have been on contemporary fiction, though he has also written on Romantic poetry, the ancient Greeks and Romans, the climate crisis and Italian politics. He has lived in Italy since 2006. Game Theory, a novel, was published in 2018.

From The Blog
10 March 2011

Auditions started this week for the next series of The X Factor, to be broadcast in the autumn. Yeah well, so what. If you don't like it, don't watch it; who cares if 19.4 million people tuned in for last year's final? But the problem with The X Factor isn’t merely the bland uniformity of the music – that the show is, in Elton John's words, ‘boring and arse-paralysingly brain crippling’ – or even the grotesque parody of the democratic electoral process that it enacts, down to the endless newspaper post-mortems and manufactured outcries over vote-rigging. The X Factor is more than a diversion: it's a glaring symptom of much that's wrong with Britain's political landscape.

From The Blog
9 March 2011

Novels that mention the LRB, an occasional series: no.17, The Afterparty by Leo Benedictus. William Mendez, the ever more evasive and ever less sane writer of a novel within the novel, is looking for someone else to pose as its author. His agent suggests a journalist called Leo Benedictus. Mendez replies, by email: Leo sounds perfect! I’m actually punching the air with my left hand and typing this with my right. (A tough trick. Try it.) I’ve had a look at his stuff online... He’s a different type of writer from me, in some ways, but not too different to be believed.

Short Cuts: ‘Niche’

Thomas Jones, 3 March 2011

At least since the New Yorker staff writer Malcolm Gladwell’s first book, The Tipping Point: How Little Things Can Make a Big Difference, became a bestseller ten years ago, publishers have churned out popular social science books, several but not all of them by New Yorker staffers (including a couple more from Gladwell), with short, catchy titles and long, friendly subtitles, and if one...

‘Oh no Oh No OH NO’: Julian Barnes

Thomas Jones, 17 February 2011

The 21-year-old narrator of Julian Barnes’s first novel, Metroland (1980), suggests that ‘everyone has a perfect age to which they aspire, and they’re only truly at ease with themselves when they get there. I suppose with most people it’s between 25 and 35.’ For him, though, he imagines it’s ‘a sprightly 65’. The narrator of Flaubert’s...

From The Blog
8 February 2011

According to the campaign YES! to fairer votes, the BBC's 'top brass' have circulated a memo 'that demands that their staff stop describing "electoral reform" as "electoral reform".' A quick search of the BBC website reveals that until 20 January the words 'electoral reform' were used fairly often in relation to the upcoming referendum on AV, but since then have been applied only to Jersey and Nigeria. The BBC's reasoning is that The term “reform” explicitly means an “improvement” or “change for the better”.

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