Thomas Jones

Thomas Jones edits the LRB blog and presents the paper’s podcast. He has been writing for the LRB since 1999, when he was an editorial assistant. Many of his pieces have been Short Cuts. Most of the others have been on contemporary fiction, though he has also written on Romantic poetry, the ancient Greeks and Romans, the climate crisis and Italian politics. He has lived in Italy since 2006. Game Theory, a novel, was published in 2018.

From The Blog
17 July 2012

According to the Office for National Statistics, the population of England and Wales has risen by 3.7 million to 56.1 million over the past ten years. That's not only more people than have ever lived here before, but also the fastest growth over any decade since records began in 1801. The world population over the same period has grown from 6.2 billion to 7 billion, and it will probably reach 10 billion by the end of the century.

Diary: Death in Florence

Thomas Jones, 21 June 2012

The story, as my grandmother always told it, was that her grandfather was pushed to his death down a liftshaft in Florence for the sake of his gold watch. It never occurred to me to wonder whether or not this was true. The events it related were too remote – a great-great-grandfather a hyphen too far. My grandmother’s grandfather was pushed to his death down a liftshaft in...

The Third Suitcase: Michael Frayn

Thomas Jones, 24 May 2012

About ten years ago I went to see Michael Frayn’s Noises Off in the West End. The play has been revived, and rewritten, many times since its first run in 1982 and its place in the farcical canon is undisputed. One consequence of its (entirely deserved) reputation for being hilarious is that audiences strongly expect it to make them laugh. More than that: they know it will make them...

From The Blog
15 May 2012

The late Antonio Tabucchi's novel Sostiene Pereira is set in Lisbon in the summer of 1938. The protagonist, Pereira, is a journalist, a veteran reporter on a national daily who now edits the culture page of Lisboa. The paper describes itself as 'apolitical' (which means it doesn't cover the Spanish Civil War) and 'independent' (it prints what the Salazar regime would like it to without having to be asked). Pereira is a widower; his closest confidant is the portrait of his wife that hangs in his hallway. He's overweight, and has a heart condition, not helped by his fondness for omelettes and sugary lemonade. His semi-retired routine is disturbed when he hires a young man, Monteiro Rossi, to prepare obituaries of famous writers. Rossi's pieces – either attacking Fascist writers or praising left-wing ones – are all unpublishable. But Pereira pays Rossi for them anyway and puts them away in a folder. Eventually he gets drawn into helping hide Rossi's cousin, who's in Portugal recruiting for the Republican cause in Spain, and as one thing leads to another Pereira soon finds himself in serious trouble with the authorities.

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