Terry Castle

Terry Castle has taught at Stanford since 1983. Her books include The Apparitional Lesbian, The Female Thermometer: 18th-Century Culture and the Invention of the Uncanny and a memoir, The Professor. She has written in the LRB about Jane Austen’s letters to her sister, Cassandra; about meeting Hillary Clinton; her uneasy semi-friendship with Susan Sontag; Patricia Highsmith’s worst thoughts; and her obsession with Art Pepper.

“At its best, our relationship was rather like the one between Dame Edna and her feeble sidekick Madge – or possibly Stalin and Malenkov. Sontag was the Supremo and I the obsequious gofer. Whenever she came to San Francisco, usually once or twice a year, I instantly became her female aide-de-camp: a one-woman posse, ready to drop anything at a phone call (including the classes I was supposed to be teaching at Stanford) and drive her around to various Tower Records stores and dim sum restaurants. Most important, I became adept at clucking sympathetically at her constant kvetching: about the stupidity and philistinism of whatever local sap was paying for her lecture trip, how no one had yet appreciated the true worth of her novel The Volcano Lover, how you couldn’t find a decent dry cleaner in downtown San Francisco etc, etc.”

The island of Lesbos: talk about a small world. Pick up any edition of Sappho’s fragments and the same old names keep coming up: Erinna, Gongyla, Attis, Kleis, Anactoria. You would think that after two thousand years these girls would be ready to quit the scene, but no, here they come again – a bit leathery from all the centuries of tennis and golf, but still the only game in...

You know you’re getting old when sleeping with a vampire no longer gives you a sickly thrill. At the age of ten or eleven, having absorbed the requisite number of creaky old Bela Lugosi films, I evolved such a baleful Dracula-fear that I began sleeping every night with one arm slung backwards over my neck. This neurotic and slightly awkward posture – still habitual, I’m...

Letter

My baby done left me

18 December 2003

John Heath is right to distinguish traditional Cretan music from the gritty urban (usually Athenian) recorded music of the 1920s and 1930s known as rebétika (Letters, 5 February). I was obviously hitting the ouzo. But in my own defence I find, consulting the liner notes of Greek-Oriental Rebetica: The Golden Years: 1911-37, that the words of my favourite rebétika song, ‘If I were the hem of your...

My Heroin Christmas: Art Pepper and Me

Terry Castle, 18 December 2003

Living without love is like not living at all.

Art Pepper, 1958

Writing this in San Francisco, having just come back from San Diego and a heroin Christmas at my mother’s. Not that I used any: there was definitely no blowing, horning, tasting, fixing, goofing, getting loaded or laying out. I’ve always been afraid of serious drugs, knowing my grip on ‘things being...

One Night in Maidenhead

Jean McNicol, 30 October 1997

‘Honey, she’s a forerunner, that’s what she is, a kind of pioneer that’s got left behind. I believe she’s the beginning of things like me.’ Radclyffe Hall has...

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Paean to Gaiety

Lorna Sage, 22 September 1994

In this camp and dashing and deliberately lightweight study of a certain strand of ‘sexual ontology’ Terry Castle pursues the lesbian-as-ghost from Defoe’s wistful nearly-real...

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