Loitering in the Piazza
Stephen Greenblatt, 27 October 1988
Giovanni Levi’s Inheriting Power bears a generic resemblance to those recent historical studies that illuminate the lives of European peasants by isolating and reconstructing a single resonant story. The best of these microhistories – Carlo Ginzburg’s The Cheese and the Worms and Natalie Zemon Davis’s The Return of Martin Guerre – succeed in making their stories what Kenneth Burke calls ‘representative anecdotes’, reflections of reality that are inevitably selections of reality. The selections work if they manage to convey a sense of both resonance and particularity. The particularity functions rhetorically to persuade the reader that she has made contact not with another statistical table or an allegorical idea but with a palpable life and its concrete material world (‘to take note’, Hal tells Poins, ‘how many pairs of silk stockings thou hast, viz., these, and those that were thy peach-color’d ones’). The resonance functions to raise this enumeration of particulars above the trivial or the random, to evoke what Yeats called the emotion of multitude, to make the anecdote representative.’