Simon Armitage became poet laureate in 2019. His most recent collection, Magnetic Field: The Marsden Poems, was published in 2020; his first, Zoom!, appeared in 1989.
Wake. And in my head walk barefoot naked from the bed towards the day, then wait.
Hold. The dawn will crack its egg into the morning’s bowl and him on horseback, gold.
Me, I’m in the shed, I’m working on it: a plus b plus c, it’s you, him, me. It’s three.
Hell, this hole, this shack. The sun makes light of me behind my back....
After Boccaccio
buddies through dozens of scrapes and hassles,
the first knight thought he was happily wed, the second man slept in a single bed.
One morning, at leisure, the married man was walking his dog by the parish dam
and spied his wife across the water, and waited a while, and caught her
in the arms of his friend – naked, consenting. To say the least this really upset him
so...
The survival of poetry, especially if written before the invention of print, has often been a matter of luck or accident. Consigned to caves in the deserts of the Middle East, it might be...
Tony Parsons is the talented journalist who used to play Leonard Bast to Tom Paulin’s rentier intellectual on Late Review, the BBC’s weekly parade of Schlegelisms. He was the mean...
Simon Armitage likes to have it both ways. He is the streetwise poet who is at home in a Radio 1 studio; but he is also the ambitious literary figure who aspires to ‘nothing less’...
Anthologies are powerful things: movements are launched, periods are parcelled up, writers are made and broken. They are, or want to be, the book world’s performative utterances: defining...
This is tricky. First the facts. In 1936 W.H. Auden persuaded Faber and Faber to commission a travel book about Iceland. He spent three months in the country, part of the time travelling with his...
‘Fin de siècle’: the term suggests a dilution and dispersal of the cultural, social and political energies of a century, an uneasy time of uncertainties as a new era waits to be...
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