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“... William Golding is evidently a bit fed up with being the author of Lord of the Flies. It was greeted with proper applause when it came out in 1954, but soon became the livre de chevet of American youth, and, worse, a favoured text in the classroom in the years of the great boom in Eng Lit, when a sterile popular variety of the New Criticism was encouraging all manner of dreary foolishness; whereupon the cognoscenti turned away, and called the book naive ...”

“... enough. Richard Hughes was one of our most effective local magicians; John Fowles has become one; William Golding has had the status a long time. His new novel confirms him as a master craftsman in his particular sort of magic. It is beautifully constructed, it grips the reader – so much so that its effectiveness gives it the air, a little ...”

“... other’ but ‘without prejudice to the power of its concrete reality here and now’. William Golding is obviously in some sense a religious writer, though not Catholic, and the formula of Auerbach applies reasonably well to what he attempts. But he is concerned with the interpenetration of man-made and supernatural plotting rather from the ...”

“... About ten years ago, on a previous visit to Egypt, William Golding arrived at ‘a simple truth: that Egypt is a complex country of more-or-less Arab culture and it is outrageous for the uninformed visitor to confine himself to dead Egyptians while the strange life of the valley and the desert goes on all round him ...”

“... A publisher’s note explains that when William Golding died he had written two drafts of this novel, and was about to begin a third. The signs are that this might have been longer than the second, but not substantially different. Some necessary editing has been done, on the basis of notes made by Golding in his journal, and there is a page of typescript missing in the middle of the book ...”

“... John Carey has had access to voluminous archives stored in the Faber basement or in the keeping of William Golding’s family. No one else may see them; he alone can quote from unpublished novels, journals, memoirs, correspondence and conversations. He has made excellent use of these privileges, and the result is a full, friendly, and on proper occasions candid, account of a remarkable man, who took a long time to achieve an understanding of how truly remarkable he was, and then did so only fitfully ...”

“... novelists, however, look back in different moods and at different primal events and seedtimes. For William Golding (Darkness Visible) the focus was the Blitz and the Second World War, which secreted the modern age’s poison as a bee secretes honey. In Angus Wilson’s latest work (Setting the World on Fire) the narrative hinges on the crucial ...”

“... are uncommon in the book’s 1957-59, which abstains from the desire expressed at the time by William Golding to blow up Eton College. Bloomsbury’s Frances Partridge, queen of the diary put-down, seems to have wanted to blow up television, ‘the box in the corner’. In the flat of her friend Robert Kee, a great asset to the box in the corner, she ...”

“... of Ebenezer Le Page is one more instance – beyond the usually trotted out Lord of the Flies by William Golding, who was an admirer – of why that might be a pity, and why, ice-caps permitting, we might come to regret it. Gerald Basil Edwards was born on Guernsey in 1899 and died in Weymouth in 1976, after a life spent largely in English exile, and ...”

“... William Golding’s Rites of Passage, which appeared seven years ago, purported to be an account, by a young toff, good-natured but still wet behind the ears, of a voyage to Australia, around 1814, in a clapped-out English warship reduced to carrying emigrants. Keeping a journal for the amusement of his noble patron, he tells of a comical amorous adventure with an emigrant female, a patronising friendship with an ex-lower-deck first lieutenant (‘allow me to congratulate you on imitating to perfection the manners and speech of a somewhat higher station in life than you were born to’), and various puppyish acts of indiscipline and breaches of Naval etiquette which set him at odds with the captain ...”

“... Banks may have as much trouble getting out from under the success of his first novel as did William Golding. It was a memorable debut. The Wasp Factory provoked a moral panic in 1984. The TLS critic called it the ‘literary equivalent of the nastiest kind of juvenile delinquency’; Margaret Forster thought it less a novel than the script for a ...”

“... as Crosby? Of if Austen hadn’t been able to raise the money? Would she have kept trying – like William Golding, submitting and resubmitting Lord of the Flies 22 times? Or, what if, once Austen’s novels were published, no one noticed them? Moby-Dick sold 3180 copies in Melville’s lifetime – only two copies were bought in 1876 – and went out of ...”

“... William Golding’s working material, the stuff he lights upon and makes his novels out of – and which he regularly proceeds to subvert or transform to his purpose, introducing levels of meaning unsuspected in the raw stuff – never ceases to retain its importance for these novels. Coral Island, we all know, provided the working material for Lord of the Flies; and if Mr Golding’s purpose was to subvert a favourite myth about English boyhood, he nevertheless chose a worthy myth – one we can still half assent to while half persuaded by the black, reductive alternative ...”

“... it was we were reading in the wake of Sartre and Camus, and before the Sixties became the Sixties. William Golding, Iris Murdoch, Saul Bellow, Bernard Malamud, Thomas Pynchon, who else? Oë wrote his graduation thesis on Sartre (in 1959), and evokes Camus in Hiroshima Notes: ‘A plague that ravages a city in North Africa, for example, appears as an ...”

“... role. For all Hughes’s throwaway manner and air of untroubled expertise (he sometimes reads like William Empson trying his hand at a tale of adventure), there is, as with Kipling, a kind of innocence which is part of the charm. When Amabel Williams-Ellis, who read the first draft of A High Wind for him, sensibly objected that there could not but have been ...”