Nick Holdstock

The riots in Ürümqi in July caused more than 200 deaths and led to the imposition of martial law. Though there were differing accounts of who was to blame – the police, for firing on ‘peaceful protestors’, or terrorists whose ‘goal was to undermine the social order’ – the violence was generally perceived as being due to resentment between Han Chinese and the Uighur minority. On 17 August there were reports that people in Ürümqi had been attacked with hypodermic syringes. There were no casualties, and it was unclear who was responsible. But in the following weeks, as the stabbings continued, Han residents began to claim they were being targeted. The government confirmed that most of the victims were Han, but stressed that Uighurs and other ethnic groups had also been attacked. By 3 September the hospitals had reported a total of 531 cases. However, only 20 per cent of these showed any signs of physical injury, which suggests that the greater problem was the fear created by the attacks.

On 16 September the Chinese government claimed to have arrested six people in Aksu (a city in western Xinjiang) for making bombs. Two of the six – Seyitamut Obul and Tasin Mehmut – have Uighur names. Li Wei, the director of the Centre for Counterterrorism Studies at the China Institute of Contemporary International Relations, warned that 'terrorists have gone underground to organise different forms of terror attacks in Xinjiang . . . such as the recent syringe attacks in the region and plotting bomb attacks.’ He went on to claim that the recovered explosives were to be used in car and suicide bombings. The timing of the arrests is suspiciously convenient: in the run up to the 60th anniversary of the founding of the People’s Republic on 1 October, the government would like to show that it has the region under control.

The idea of film ‘trailers’ for books may look like yet another unpleasant twist in the commodification of literature, or, at the very least, an attempt to convince consumers that books really are just like movies, but all the same there have been some enjoyable results. Most trailers consist of the author reading a short (and usually dramatic) extract from the book over a montage of images. The recent one for Joshua Ferris’s The Unnamed is a pretty representative example: