Marina Warner is the author, most recently, of Sanctuary: Ways of Telling, Ways of Dwelling.
Collectors of dinosaur bones and ammonites, nautilus shells, sawfish teeth, narwhal tusks and other such wonders used to display them in elaborate tableaux or augment them with fancy settings of jewels and gilt; they imagined fabulous stories for them, too. Then, in the more empirical mood of Victorian archaeology, adornment was stripped away and bones were displayed as bones, fossils as...
At La Mécanique des dessous (‘The Mechanics of Undergarments: An Indiscreet History of the Silhouette’), an unexpected exhibition about underwear in Paris two years ago (Jenny Diski wrote about it in the LRB of 10 October 2013), there was a room where you could try on bustles and lobster tails and panniers and waist cinchers and other cunning elements of the...
A university is a place where ideas are meant to be freely explored, where independence of thought and the Western ideals of democratic liberty are enshrined. Yet at the same time as we congratulate ourselves on our freedom of expression, we have a situation in which a lecturer cannot speak her mind, universities bring in the police to deal with campus protests, and graduate students cannot write publicly about what is happening. Gagging orders may not even be necessary.
When Marie-Antoinette couldn’t sleep, she would ring for a lady-in-waiting to come and read to her; a rota of lectrices was on call at Versailles at any time of day or night; before radio or talking books, this was one of the luxuries of the Ancien Régime. The queen could have lit her bedside candle and read to herself, but it wasn’t just a rich woman’s indolence...
What is happening at Essex reflects on the one hand the general distortions required to turn a university into a for-profit business – one advantageous to administrators and punitive to teachers and scholars – and on the other reveals a particular, local interpretation of the national policy. The Senate and councils of a university like Essex, and most of the academics who are elected by colleagues to govern, have been caught unawares by their new masters, their methods and their assertion of power. Perhaps they/we are culpable of doziness.
Born from grief, exile, intellectual ferment and the ‘year without a summer’, Frankenstein is a creation myth with its own creation myth. Mary Shelley’s novel is a foundational work...
Marina Warner and Adam Thirlwell look at the ways in which two ferocious works of comic horror, by James Hogg and Mikhail Bulgakov, tackle the challenge of representing fanaticism, be it Calvinism or...
Marina Warner watches Damien Hirst’s butterflies hatch.
Marina Warner and Adam Thirlwell look at the ways in which two ferocious works of comic horror, by James Hogg and Mikhail Bulgakov, tackle the challenge of representing fanaticism, be it Calvinism or...
‘With Potocki,’ Italo Calvino wrote, ‘we can understand that the fantastic is the exploration of the obscure zone where the most unrestrained passions of desire and the terrors of guilt...
In the stories of Franz Kafka we find the fantastical wearing the most ordinary, realist dress. Though haunted by abjection and failure, Kafka has come to embody the power and potential of literary imagination...
Alice’s Adventures in Wonderland and Through the Looking-Glass are strange books, a testament to their author’s defiant unconventionality. Through them, Lewis Carroll transformed popular culture,...
Marina Warner delivers her lecture on Emily Davison’s legacy as the suffragettes’ first martyr.
Marina Warner shows how higher education in the UK has been betrayed, in her 2015 LRB Winter Lecture.
There can be no new reader, and therefore perhaps no wholly new reading of the collection of stories known as The Arabian Nights. Not because they have been exhausted by retelling and...
A memorable image in Robert Musil’s Man without Qualities likens the impact of a certain character to that of a powdery avalanche. The effect of reading Marina Warner’s magisterial...
Marina Warner’s No Go the Bogeyman: Scaring, Lulling and Making Mock is an impossible book. It circles around monsters and the frightening of children, but it also has chapters on the...
If women are the ones who tell fairy tales, why do fairy tales paint such ugly pictures of women? Or, as Marina Warner puts it, ‘If and when women are narrating, why are the female...
In his last days, the exiled and ageing Aristotle wrote to a friend: ‘The lonelier and the more isolated I am, the more I have come to love myths.’ We may puzzle over what Aristotle meant....
The British, a nation of Sancho Panzas, like to dream of governing an island. The majority of ideal states both ancient and modern have been imaginary cities rather than sea-girt lumps of rock,...
Nobody could call Frank Honigsbaum’s book ‘user friendly’. Some reasons for its indigestibility are inherent in the topic: the moves, some effective, most frustrated, by civil...
Here, in these three novels, are three representations of the state of the art. In The Satanic Verses the narrator, who may or may not be the Devil, confides that ‘what follows is tragedy....
The psychologist John Layard – ‘Loony Layard’, as he is affectionately termed in one of Auden’s early poems – is said to have told a submarine officer that he had...
A new novel by Günter Grass invites comparisons of a national kind. If a British writer of fiction wished to engage with the big stories of the day – the kind of thing Brian Walden...
In 1870, Daumier drew a cartoon of soldiers filing past a monument of the fatherland, with the caption: ‘Ceux qui vont mourir te saluent.’ Wandering about quiet French churches, one...
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