Lidija Haas

Lidija Haas is an editor at the Paris Review.

On the Sofa: ‘Girls’

Lidija Haas, 8 November 2012

Lena Dunham’s Girls opens on its creator and star eating the way you don’t often see a woman eat on TV: brow furrowed, cheeks full, spaghetti cascading towards the plate, left hand free to catch any strands that might not quite fit in her mouth. Dunham’s character, 24-year-old Hannah Horvath, is having a meal in a restaurant with her parents, but there’s something of...

Wholly Allergic: Georgette Heyer

Lidija Haas, 30 August 2012

When I complained to my mother that I’d run out of Jane Austen novels, she handed me one by Georgette Heyer. ‘It isn’t quite the same,’ she said, and even then – I was 10 – I could see that it was and it wasn’t. The romantic interest and sharp dialogue were similar, though not so nuanced; the supporting cast of aunts and neighbours comic, but not so...

At the height of the ‘warrantless wiretapping’ scandal of 2006 – George W. Bush had authorised the National Security Agency to monitor overseas phone calls involving suspected al-Qaida operatives, but it transpired that the surveillance extended to all electronic communication and web activity, foreign and domestic – Sherry Turkle went to a party celebrating the Webby...

From The Blog
20 February 2012

Four months after Amanda Knox was acquitted of murdering Meredith Kercher, HarperCollins has paid her several million dollars for her memoirs. We will soon be able, we're told, to hear ‘her side of the story’ – except that her side, an account of the ‘nightmarish ordeal that placed her at the centre of a media storm’, to be told with the help of a ‘collaborator’, already sounds a little familiar.

What would it have been like to fall in love with the young Martin Amis, ‘the most fascinating man’ Gully Wells had ever met? ‘Only the most awful clichés,’ she tells us, ‘could possibly do justice to the way I felt.’ He was ‘very funny and very clever’; ‘he made me laugh and told me things I didn’t know.’ She is a bit...

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