Poem: ‘Sea Change’
Jorie Graham, 7 June 2007
One day: stronger wind than anyone expected. Stronger than ever before in the recording of such. Un- natural says the news. Also the body says it. Which part of the body – I look down, can...
Jorie Graham, the Boylston Professor of Rhetoric and Oratory at Harvard, won the Pulitzer Prize for Poetry for The Dream of the Unified Field: Selected Poems 1974-94. Her other collections include The End of Beauty, P L A C E and Runaway. To 2040 came out in 2023.
One day: stronger wind than anyone expected. Stronger than ever before in the recording of such. Un- natural says the news. Also the body says it. Which part of the body – I look down, can...
Deep autumn & the mistake occurs, the plum tree blossoms, twelve blossoms on three different branches, which for us, personally, means none this coming spring or perhaps none on just those branches on which just now lands, suddenly, a grey-gold migratory bird – still here? – crisping, multiplying the wrong air, shifting branches with small hops, then stilling –...
(Attempt of 6 June ’03)
I wake and one of them is still there, still talking, sudden jolts of hand as if to slap open the air, garbage waiting at the curb, myself a slave, still, yes, I check, a slave, mist on the hedgerows, stubblefields between. A slave. Beyond, the village still asleep. That I can say the word village. Thorns disappearing now under the last of the blossoming....
From here, ten to fourteen rows of folding and branching. Up close, the laving in overlappings that pool sideways as well as suck back. Filamentary green-trims where the temporary furthest coming-forward is lost. Suctions in three or four different directions back from pinnacle-point. Encounter of back-suck by the foremost, low-breaking, upstitching really,...
needed explanation because of the mystic nature of the theory and our reliance on collective belief I could not visualise the end the tools that paved the way broke the body the foundation the exact copy of the real our surfaces were covered our surfaces are all covered actual hands appear but then there is writing in the cave we were deeply impressed as in addicted to results oh and...
For Jorie Graham, the teeming possibilities of lyric – tense and mood, syntax and sound crossed with layout and measure – harbour a fullness of time which is neither mere chronology nor novelistic...
The new volume of poems by my Harvard colleague Jorie Graham, in its US edition, bears on its jacket a detail from Vermeer’s The Astronomer, showing the hand of the astronomer as it...
Famous poems, like faces, are a particularly memorable kind of introduction to the person they conceal. Like other kinds of introduction, they are often what we remember a person for, or what we...
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