Jon Day

National teams haven’t raced in the Tour de France since 1961, when pressure from bicycle makers led to a return of the trade teams. But that hasn't held back the patriotic cheering for Bradley Wiggins, the first Briton to win the Tour in its 109-year history. Chris Hoy has called his victory ‘the greatest individual achievement in the history of British sport’, though Wiggins owes a fair amount to his team mates: winning the Tour is both a cumulative and a collective achievement. Unlike Hoy – who with his freakishly powerful body looks as if he could have excelled in any number of sports – Wiggins seems to have been born to be a cyclist. His father was a professional rider, nicknamed ‘the doc’ by his peers because he used to smuggle amphetamines to races in his son’s nappies, and Bradley was brought up watching the Tour. ‘It's what I’ve dreamed of for 20 years,’ he said yesterday.

On Saturday, for the 90th anniversary of Bloomsday, Radio 4 broadcast a seven-part ‘dramatisation’ of Ulysses, possible now that copyright in Joyce’s work has lapsed. The broadcasts were slotted into the schedule to coincide with the timing of the novel.

Beware the wrath of the cycling lobby. In an editorial for the latest issue of add lib, the minicab company Addison Lee’s in-house magazine, its chairman, John Griffin, called for cyclists to ‘get trained and pay up’ if they want to share the road with drivers.

The tug of war over Joyce copyright continues. The National Library of Ireland has just released digital copies of a collection of papers bought from Alexis Léon in 2002 for €12.6 million, in response to an attempted copyright coup by Danis Rose. The NLI’s holdings are a stunning collection of Joyceana, consisting of an early Paris notebook from 1903 and notes for a translation of Dante’s Inferno, as well as 500 manuscript pages and 200 pages of annotated proofs of Ulysses and Finnegans Wake. If it feels a bit like a rush job (the resolution isn’t great, though the NLI plan to publish better quality images to coincide with Bloomsday), that’s because it is. The NLI’s hand was forced when Rose released a six-volume edition of The Dublin Ulysses Papers earlier this year.

Unmanned is the latest release from the Italian game designers Molleindustria, who aim to ‘free video games from the dictatorship of entertainment’. Their other productions include Phone Story, ‘an educational game about the dark side of your favourite smart phone’: you have to use armed guards to threaten Coltan miners in central Africa to increase their productivity and catch suicidal Chinese factory workers in giant nets. It isn’t available from the iPhone app store. Unmanned, rendered in blocky, lo-fi graphics, examines a day in the life of a disaffected suburban drone pilot.