Sacred Crows
John Skorupski, 1 September 1983
The culture, of the first fifty years or so of this century – ‘Modernism’ – comes increasingly to be seen in historical perspective: as a period of the past with its own unifying themes. This is true of the visual arts, architecture, literature, music, and it is also true of philosophy and of social theory. One dominant strain in the ideology of Modernism was the idea of a clean break with 19th-century culture, which seemed to be dying under the weight of its own historicism. Now, however, there has been a return to 19th-century themes, and in particular, the 19th century’s preoccupation with historical consciousness.–
