Joanne O’Leary

The first woman to receive a doctorate in geography from Harvard, Millicent Bingham sacrificed her academic career to finish the editorial work her mother, Mabel Loomis Todd, began. Readers may not agree with the version of Emily Dickinson they presented, or approve of the changes they made to her work, but if it hadn’t been for these two women, we might not have any Emily Dickinson at all.

Elizabeth Hardwick had a great command of pattern and some of her characterisations jingle like a good ad: Frost was ‘malicious and capricious’; New York, a ‘restless monster of possibility and liability’; Marianne Moore gave us ‘treasures of eccentricity and authenticity’. It’s an aural trick: if one thing sounds like another, their pairing seems right.

Unlike Kathryn Scanlan’s short stories, which dispense with context and explication, Kick the Latch is precisely detailed. Her character, Sonia, describes the importance of X-raying horses’ hooves to determine where their coffin bones lie before shoeing them: ‘Some horses are low in the heel so they’ll get wedges or mud nails or caulks or blocks.’ These things matter.