Joanna Biggs

Joanna Biggs, formerly an editor at the LRB, is deputy editor of the Yale Review. A Life of One’s Own was published in 2023.

From The Blog
19 April 2016

The bank windows had been smashed. On a surviving pane, held with a star of white masking tape, there was an image of a girl in a white T-shirt and jeans shouting ‘Rêve Générale’ into a loudhailer, a new interpretation of the old call for a ‘Grève Générale’. Instead of a general strike, or as well as one, a communal dream. Every evening since 31 March, when there was a protest against proposed labour law reforms, there have been gatherings at place de la République in Paris to discuss new ways of doing politics, or at least of resisting the old ways.

Under Her Buttons: Ottessa Moshfegh

Joanna Biggs, 31 March 2016

Eileen​ is 24, all ribs, shoulders and hips with ‘lemon-sized’ breasts and nipples ‘like thorns’. She still has acne scars across her cheeks. She wears thick tights and skirts that pass her knees and buttons everything else up to the neck. Eileen reads National Geographic and lives with her father, an ex-cop and a drunk who is at least ‘easy to distract and...

I was blind, she a falcon: Elena Ferrante

Joanna Biggs, 10 September 2015

Are Elena Ferrante’s four Neapolitan novels even books? I began to doubt it when I talked about them with other people – mostly women. We returned to life too quickly as we spoke: who was your Lila, the childhood friend who effortlessly dazzled everyone? Or – a question not happily answered – were you Lila? S. said she had got back in touch with an estranged friend to give her the first volume in the series; K. felt that, impossibly, embarrassingly even, the books captured how she’d gone about finding an intellectual identity for herself.

On the Phone

Behind​ a branch of a fast-food chain in Lincoln, there is a featureless yellow brick call centre open from 7 a.m. to 11 p.m. every day. From the level of noise as the call centre handlers walk in, they can often guess what’s happening across the country. Bad weather causes a surge in the number of calls: a dense, chattering sound. A terrorist attack is loud. But less...

From The Blog
20 February 2015

PJ Harvey recorded her eighth album, Let England Shake (2011), in a church on a Dorset clifftop with ‘a graveyard which has trees bent by the wind’. On Saturday, she finished sessions for her ninth album in the basement of Somerset House on the banks of the Thames, whose water had cracked the institutional white paint and seeped mouldily into the carpet. She worked on the songs for a month in a purpose-built white studio with one-way windows, letting the public eavesdrop on her (there were four 45-minute visiting sessions each day; tickets sold out fast). I went on the last day.

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